The ancient "New Year’s Day" originally meant this! Too knowledgeable.

New Year’s Day in ancient times and New Year’s Day today,
Is it the same meaning?
"New Year’s Day" is the first day of January in the solar calendar every year, which is a traditional New Year in China and many countries in the world. But in ancient China, the meaning of the word "New Year’s Day" was very different from today.
Zhuan Xu (zhuān xū, the legendary ancient emperor) started the lunar calendar, with the first month as the yuan and the first day as the denier. But since then, the New Year’s Day dates of Xia, Shang, Zhou, Qin and Han are not consistent. According to Historical Records,New Year’s Day is the first day of the first month in Xia Dynasty, the first day of December in Shang Dynasty, the first day of November in Zhou Dynasty and the first day of October in Qin Dynasty. When Emperor Wu of the Han Dynasty resumed the summer calendar, the first day of the first month was still regarded as New Year’s Day, which is now our "Spring Festival".
On the first day of the first month, we now call it "Spring Festival" or "Chinese New Year", but in ancient times it was called "New Year’s Day".
However, different dynasties still have different names:
The pre-Qin period was called "Shang Yuan", "Yuan Ri", "Gai Nian" and "Xian Nian". During the Han Dynasty, it was called "Three Dynasties", "Sui Dan", "Zhengdan" and "Zhengri". Wei and Jin Dynasties were also called "Yuan Chen", "Yuan Ri", "Fuehrer" and "Sui Dynasty". During the Tang, Song, Yuan and Ming Dynasties, it was called "New Year’s Day", "Yuan Day", "New Zhengs" and "Singapore Dollars". In the Qing Dynasty, it was always called "New Year’s Day" or "Yuan Day".
From the appellations of the above dynasties, we can see that the most commonly called Spring Festival in ancient times was "January Day" or "New Year’s Day".In other words, the New Year’s Day they are talking about is not the first day of January in the solar calendar we are talking about now.
"New Year’s Day" is a compound word. According to a single word, "Yuan" is the "head" of people in Oracle Bone Inscriptions, which means beginning and first."January Day" is the first day of the New Year, and "Book Shun Dian" says: "The moon is on January Day, and Shun Ge is in the same position as Wen Xiang Zu." Kong Chuan: "The moon is positive, the first month; January, last day. " "Tokyo Fu": "So Meng Chun won the day, and the group was next to it." There are also the famous poems "Tian Jia Yuan Ri" by Meng Haoran in Tang Dynasty and "Yuan Ri" by Wang Anshi in Song Dynasty, etc. The "Yuan Ri" in the poems is our present "Spring Festival".
"Dan" means dawn.Shuowen Jiezi holds that "Dan" means "seeing from the sun, seeing from the ground". "Dan" is a pictograph, which means that the sun has just risen from the horizon, which means morning. Then, the word "New Year’s Day" together is the first morning of the New Year.
As far as the word "New Year’s Day" is concerned, it originated from the poem "Jieya" written by Xiao Ziyun, a poet in the Southern Dynasties: "New Year’s Day with Four Spirits, long life." In the Song Dynasty, Wu Zimu also explained "New Year’s Day" in "Dream Liang Lu": "The first month of the first month is called New Year’s Day, and the custom is called New Year’s Day."
Fang Xuanling also said in the Book of Jin:
Zhuan Emperor took March in Meng Chun as the yuan, which was the spring of New Year’s Day.
There are also New Year’s Day poems written by Tang people and New Year’s Day poems written by Lu You, a poet in the Southern Song Dynasty, etc. The "New Year’s Day" here means "Spring Festival".
Other names and sources will not be introduced one by one.Before the disappearance of the Qing Dynasty, the Chinese New Year was not called Spring Festival, but mostly called New Year’s Day. In other words, the previous "New Year’s Day" was not the first day of January in the solar calendar..
Every edited Wang Jiaqi
This article is transferred from Yangguang News (comprehensive)
Tianjin Daily, Xinhuanet, Zhongxin.com, etc.
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People’s body talk: the charm of football and grassroots feelings

Source: People’s Daily Online-Viewpoint Channel Original Draft

On November 17th, in the second round of the 2022 Chinese Football Association Cup, the Chinese champion team Jingchuan Wenhui eliminated the Chinese Super League team Beijing Guoan 7:5 in a penalty shootout and advanced to the top 16. This game surprised many people. Losing to a semi-professional team as a traditional strong team in the Super League may be caused by various reasons, but it also made many people know more about the current situation of football in China and look forward to the development of grass-roots football.

The FA Cup is an independent knockout cup outside the football league in China, and it is also the only opportunity for low-level teams and high-level teams to compete together. Jingchuan Wenhui eliminated Beijing Guoan from penalty. Although there were accidental factors, from the process of 2:2 draw in regular time, the strength of the two teams was close, and Jingchuan Wenhui team even got the upper hand slightly. Two goals were remarkable. The players on the field were thunderous, calm and confident, and had a degree of attack and defense. In a game in which the strength is very different and there is no suspense, the audience felt the long-lost charm of competitive football.

Aside from the mobilization, cohesion and team fighting capacity before the game, we can find details that are easily covered up by victory from the voice of the head of Jingchuan Wenhui after the game. Jingchuan Wenhui said that the main reason for winning the game was that the opponent was negligent and could not use foreign aid. He attributed the opponent’s defeat to accidental factors and external uncontrollable rules. Compared with the simple ceremony of "accepting and accepting", he was polite, modest and humble, which was quite the bearing and pattern of Chinese traditional culture. Brutalizing its physique, civilizing its spirit, an unexpected game, let us see the momentum and indomitable feelings of grassroots football.

Football is round. The competitive characteristics and rules of the game make football not only have the integrity, antagonism and appreciation shared by collective ball games, but also have the variability of technical and tactical coordination and the contingency of game results.

"The prime minister must start from the state department, and the fierce generals must be sent to the pawn." According to the results of post-match interviews and data disclosure, there are 152 players in Jingchuan Wenhui Football Club, more than 70 of whom are local doctors, policemen, teachers and other amateurs from all walks of life, and 40% of the players participating in the FA Cup are semi-professional players. Jingchuan Wenhui Club is integrated with Beihai Jichi Club, co-built and shared with Jingchuan County key amateur sports schools, and has a champion team, an U19 echelon, an U17 echelon and an amateur team, which reflects the effectiveness of Jingchuan County Football Association reform. The development of grass-roots football in Jingchuan presents a good trend, which is not only the component of football professionalization reform, but also supported by the three-level training network of competitive sports national system, and the association, sports school and club cooperate and form a joint force. The deepening reform and practice of county-level individual associations, the development of county-level football clubs and the modernization process of amateur sports schools are all key and difficult points in the construction of a strong sports country and the development of grass-roots sports organizations. For the government and an effective market, it may be the internal logic of the wonderful performance of this grassroots counterattack.

If the road is long, the line will come, but it is difficult and more brave. We expect the society to pay more attention and support to grass-roots football, and we expect that the sports lifestyle with football as the carrier can meet the needs of more people for a better life!

How a 40-year-old woman can wear a sense of fashion, master four points of wearing, and copy it is beautiful.

With the growth of age, women must accurately control their own style of dressing to ensure that their styling is dignified and decent at all times. After women are over 40 years old, they often find it difficult to dress and match. They should wear dignified clothes without being too old-fashioned, and they should wear a sense of youth without being too act young. If they want to have both, they can learn from the following blogger’s experience and master four key points of matching. It is beautiful for ordinary people to copy and copy.

1, the rational use of bright color system

Many women start to wear very conservative clothes after they are 40 years old, especially in the dark black and gray color matching. In fact, many women still keep their figure in their twenties even when they are 40 years old. If you have such a figure advantage, you can try to start with color matching, and don’t completely refuse colored clothes. Sometimes, if you try colors boldly, your mood will be much better.

2. Different ways of dressing

The second starting point can start from the way of dressing. Starting from the way of dressing, we can break the traditional concept of wearing, and also let the conventional clothing wear more points of view, especially when wearing some basic clothing. Breaking the traditional collocation barriers can make people shine.

For example, when we wear a shirt, we don’t need to tie the buttons all over the body, so the feeling presented by the whole way of fastening will be very rigid. When we untie the two buttons at the position of the hem or the neckline, the whole collocation will be different in an instant. When we wear a shirt, we can also carry it on our hands, or tie it on our shoulders or waist, and open another collocation way of the shirt.

3. Pay attention to matching.

Third, effective wearing also needs to pay attention to the harmony of the overall combination. For example, the skirt and the headband on the head are of the same color, and the matching method of the same color and the same paragraph is used to wear the overall sense of harmony, or the color of the hat on the head is consistent with the color of the shorts on the lower body, so as to wear a visual echo in the overall matching.

In summer, hats, sunglasses, belts, bags, etc. are all accessories with very high upper body rate. You can choose one or two of these accessories, and don’t stack all kinds of accessories together. Too many accessories will often appear cumbersome.

4, the finishing touch accessories use

The last point is to learn to play the important role of accessories. Only by matching accessories with the finishing touch can we give full play to the effective role of accessories. For example, when we wear a simple solid color coat, we can decorate it with a long chain necklace, especially with a round neck coat. The lines of the neck can be made more slender by matching long chain necklaces.

Although this fashion blogger is 40 years old, she can’t see her real age at all. A simple black T-shirt with a long white dress is refreshing and natural, with a earth tone fisherman’s hat on her head, full of holiday style, and a taro purple shirt with basic white wide-leg shorts, which is fashionable and foreign.

The blogger’s figure is very good. Although he is over middle age, he has no difficulty in controlling this expansive color. A clean white dress with a woven straw hat is very suitable for taking pictures when he is on vacation at the seaside. The basic white shirt with denim shorts and flat-bottomed white shoes on his feet are clean and playful, and he can wear the effect of age reduction without bright colors.

Summary:After women are over 40 years old, they should not only wear clean and simple clothes, but also wear a decent feeling. If you can’t find a way to wear them, you might as well learn from the fashion blogger above, which is simple and easy to use, both feminine and playful.

This article was originally created by Tiger Brother, and the pictures are all from the Internet. If there is any infringement, please contact to delete it. If you need to reprint it, please indicate the source, and plagiarism will be investigated! # Summer wear # # Summer life punch season #

Do you have all seven skills of badminton?

Killing the ball is the most direct and effective way to score points, but it is also one of the most difficult techniques in badminton, especially the jump killing of both feet. This action requires your body to leave the ground and complete the whole killing action in the air. Good jumping and killing requires good physical coordination, super air-staying ability and abnormal explosive force, and combined with the accurate grasp of the landing point, you can basically kill with one blow.

Key words:Square ball

"Four rooms in hand, I have everything in the world", from which we can see the importance of seeking the four directions. Amateurs, who can play well in all directions without strong killing, can become the best amateurs.

Key words:Front net ball

The basic ball in front of the net includes "hook, rub, pick and rub", which uses the flexibility of the wrist to show the good feel in front of the net. Mastering the ball in front of the net when you are young will be more useful in the future as you get older.

Key words:High ball

The skill of high-distance ball is not difficult, but the difficulty lies in the strength when hitting the ball. A person may have great strength, but his high-distance ball may not be in place; A person’s strength may be relatively small, but his high ball may be very backward. Therefore, it is important to master the high ball or to master the power.

Key words:Catch and kill

Catch-and-kill technique, especially doubles catch-and-kill, is very important, because there are many rounds of killing in doubles. In fact, I think catch-and-kill is the least technical, because all you have to do is block the ball.

Key words:Defensive ball

Instead of learning some offensive balls from the beginning, it is better to practice defense first. "Kung Fu is beaten first", and so is badminton beginners. Don’t always think about learning to kill the ball. First, your killing can’t kill the opponent. Second, you can’t learn without basic technical support; Third, because most of the people you have to face are battle-hardened old birds, the other side can only practice the offensive ball on you, but you can take the opportunity to practice your defensive ability.

Key words:interest

"Interest is the best teacher" can be used anywhere. Once you are interested, you are not afraid to play badly.

If you don’t play for two days, you will feel uncomfortable all over; If you don’t touch the racket several times a day, you will feel uncomfortable all over; I’m half tired after playing the ball, but I’m still excited and want to play … These are the charms of this sport!

Badminton tribe’s only official WeChat WeChat official account: Badminton Huiyou ID: (yqhy 365)

(Source: badminton fans)

Meibo Art Museum | Xu Ziyun -Listen

lead

As the brand art exhibition of the Meibo Art Museum, the Miko Spring Art Exhibition series has been successfully held for four years, and has accumulated a group of loyal audiences and good reputation. "We tried to break through innovation again and continued the expressiveness and artistic nature of the theme art exhibition over the years. Together with the eleven contemporary art coffees and famous contemporary artists, they strive to present an art feast for the audience with their works that meet the theme of the exhibition.

This art exhibition uses the art form close to the public to extend and find the artist’s spiritual connotation, and think about whether the works and exhibition behaviors of the artist will bring collective changes. understand. The works of the ten famous contemporary artists have a good atmosphere to the Spring Meibo Art Museum. Just like the camphor forest at the Meibo Art Center, the thick vertical line has been attracted to this garden, and the scenery changes.

Artist

I am a native of Shanghai. When I shuttle on the streets of Shanghai, I look at the streets, architecture, or some other things. I will have a feeling of knowing each other. Watching these things when I was young is a different feeling.

It’s like looking at a mirror, but this mirror is projected into different spaces and different latitude, so I use the material of mirror acrylic.

I use monochrome, silver, and black and white to present a conversation between the neutralized and memory and memory of the work. The metal color of silver can reflect my feelings of the development of the city in Shanghai. The form of metal and monochrome is more representative and powerful.

The mirror effect of the work allows the audience not only to see myself in the mirror (in the work), but also feel my expression of this city. This work is not only a dialogue between me and my own time and space latitude, but also allows me and viewers to communicate in different time, space, and latitude in the form of mirror.

Xu Ziyun

"Listening Series 1"

Mirror Acrylic

75 × 50cm

2021

Xu Ziyun

"Listening Series 3"

Mirror Acrylic

75 × 50cm

2021

Xu Ziyun

"Listening Series 4"

Mirror Acrylic

75 × 50cm

2021

Curator

Young artists convey the creation information through the combination of multiple spaces. Each one can see the artist’s presentation of the past, the presentation of the state of survival, whether it is collective or individual, there is always an indiscriminate relationship with the environment. Xu Ziyun showed his personal feelings about growth space in the form of more novel works, thinking about the meaning of the past and the relationship between the present.

About artist

Xu? Yun

Out of 1991?

Graduated from the Oil Painting Department of China Academy of Fine Arts in 2016

Now?

Exhibition experience:

2021

"Early" artistic innovation in China Academy of Fine Arts? Exhibition Futurelab Shanghai? Shore Dome?

"Ming? Can the Bay Area? New Year Artist Program" Australia?

"Internal and Outside" solo exhibition Banana Art Space Nanjing

2020

Banana Art Space 2020 Summer Group Exhibition Nanjing

"Flola’s living room" contemporary art and plant art cross -border exhibition neon art museum

2019

"? 年 Plan for the selection exhibition of outstanding works over the years ·? New Year Artist Nomination Exhibition"

"Memory Vision? -Chayun Art Item? Exhibition" Shanghai

2018

The 9th New Star Art Festival of the series of works "Behind the scenes"

2017

The work "For" Lunch on the Grass "? Conjecture to participate in the" Yue? -The visual cross -border extension "Chicago, USA

2016

The work "Festival?" "College? 2016" Sichuan Academy of Fine Arts

The work "Breathing", "Care?"

116m2+POP UP Painting Mobile Biennale Biennale

2015

The work "Separation in the evening" and "Live? Light" won the theme award of the Inter-Youth International?

The work "Star?" "Spring is here -10cm3" San Shang Contemporary Art Museum (Hangzhou)

The work "Models?" "Gadgets -Contemporary Paper Works Exhibition" Van Geng Art Institution (Hangzhou)

2014-2015

The work "Spring Equinry Squiries Laying on?" "Pursue Excellence: Artists of the College ——? The Session of Oil Painting Invitation Exhibition" (National Tour)

Year 2014

The work "On the escalator? Autumn" Nanjing International Art Exhibition (Nanjing)

"Nine? · —— Zhejiang Oil Painting Works Exhibition" Ningbo Art Museum

year 2013

The work "Lu Lu" and "The Shop" "The Consciousness of Painting -Creation Research Exhibition of Oil Painting Department of the Chinese Academy of Fine Arts" (Shanghai)

The work "Slim Shadow Slimming

2012

Creative work "Jian" nationwide? The New Year’s Exhibition- "Most Painting" (Beijing)

year 2011

Creative work "Jian" 6th China Academy of Fine Arts "Century Star" China Academy of Fine Arts Museum of Fine Arts

Zhisheng: Collective upward -2022 Beauty Spring Art Exhibition

Producer: Chen Hui

Project planning: Kong Kong

Curator: Xiaojun

Exhibitors:

Chen Xiaodan, Ding Fang, Gong Xinru, Ji Wenyu+Zhu Weibing, Long Bin, Qu Fengguo, Xue Song, Xu Ziyun, Zhou Dujin, Zhou Xiaoping

Organizer: Meibo Museum

Opening time: February 26, 2022 (Saturday) at 3:30 pm

Exhibition time: February 26, 2022-March 20, 2022

Exhibition location: Meibo Art Museum, No. 88 Liming Road, Minhang District, Shanghai

| Opening time: Tuesday to Friday 9:00-17:00

Saturday Sunday 9:00-18:00 (closed Monday)

Address: Meibo Art Museum, No. 88, Liming Road, Minhang District, Shanghai