南京品茶群

　　CCTV News:According to the WeChat WeChat official account news of the State Post Bureau, it is estimated that the express delivery development index of China in February 2023 was 254.8, up 11.1% year-on-year. Among them, the development scale index was 357.6, up 36.5% year-on-year; The development capability index and the development trend index were 191.2 and 81.2, respectively, with an increase of over 8 percentage points year-on-year; The service quality index was 273.6, a year-on-year decrease of 9.4%. Overall, the scale strength of the industry has been enhanced, the service capacity has been steadily improved, and the development trend has continued to improve.

　　Figure 1 China Express Development Index from February 2021 to February 2023

　　In February, the scale index of express delivery development was 357.6, up 36.5% year-on-year. Since February last year included the Spring Festival holiday, the scale base was low. It is estimated that the express delivery business volume in February this year will increase by 36% and 38% respectively. In February, the development of the industry accelerated, with an average daily business volume of nearly 340 million pieces. As of February 8, it has exceeded 10 billion pieces, 40 days ahead of 2019 and 2 days ahead of 2022. In the middle and late period, students’ return to school and other factors promoted the further growth of delivery demand, and the average daily business volume remained at around 350 million pieces. The industry scale was stable and improved, ensuring the accelerated development of online consumption.

　　In February, the express service quality index was 273.6, down 9.4% year-on-year. Judging from the sub-indicators, the public satisfaction of express delivery service is expected to be 81.6 points, up 1.6 points year-on-year. The 72-hour punctuality rate in key areas is expected to be 78.3%, up 7.3 percentage points year-on-year. The effective complaint rate of express delivery is expected to be 1.2 parts per million. Affected by the Spring Festival, the lag of some complaints lowered the service quality index, but overall, the service time limit was significantly improved, and users’ experience in unmanned distribution was enhanced. First, the delivery service of flowers and trees has been continuously improved. According to the characteristics of flowers and trees, express delivery enterprises reduce transshipment links when entering the source of goods, reduce the loss of delivered goods through real-time temperature control and fine zoning, systematically integrate special line transportation resources, create a "aviation+high-speed rail+cold chain" model, and improve transportation quality and efficiency. Second, technology empowerment helps to improve timeliness. Express delivery enterprises put distribution robots into use in shopping malls and buildings to realize automatic driving, cloud call notification and real-time accurate positioning, and provide users with simpler and faster delivery services. The application of unmanned aerial vehicles to the cross-Qiongzhou Strait delivery service will greatly shorten the delivery time, enhance the radiation-driven role of central cities, promote the sharing of resources across the Qiongzhou Strait, and improve the quality of life of surrounding residents. Third, supply chain services have achieved new development. According to the service demand of manufacturing industry, express delivery enterprises promote the intelligence and specialization of packaging and the refinement and visualization of transportation, enhance the integration of digital information with manufacturing enterprises, continuously upgrade the service level of warehouse allocation, help customers intelligently divide warehouses nationwide, and realize inventory optimization and efficient performance.Provide assistance for the development of industries such as wine and drink, fast-moving consumer goods and Internet medical care.

　　In February, the express development capability index was 191.2, up 8.8% year-on-year. On the one hand, air transport capacity has been continuously enhanced. Industry-owned airlines signed nine aircraft purchase agreements, adding "Xi ‘an — Phuket ""Xi ‘an — Ulaanbaatar’s international route, the independent air transport capacity of countries along the Belt and Road and RCEP areas has been further improved. Dalian airport transshipment center is running, and the sorting and transshipment capacity of air express has been enhanced. On the other hand, the pace of enterprises going to sea has accelerated. Express delivery companies successfully launched "China — Laos — Thailand’s international cold chain class helps Yunnan agricultural products cross the border. Integrate various transportation resources of land, sea and air, and customize the international e-mail delivery route to Mexico, and the end-to-end cross-border service capability has been enhanced. Self-operated warehouses were launched in Los Angeles, and multi-warehouses cooperated to promote the service efficiency of North American supply chain.

　　In February, the development trend index was 81.2, up 8.6% year-on-year. The coordinated development of express delivery industry and related industries is deepening, and the network layout at home and abroad is accelerating. It is expected that the industry will continue to maintain medium and high-speed growth in March.

Meierkholid (1874-1940)

　　Meierkholid, a Russian dramatist, finally returned to China in 2019, taking the opportunity of updating and republishing Meierkholid Conversation compiled by Mr. Tong Daoming. He is a genius who has been erased and is still underestimated. As the Russian director vakhtangov said, "In the near future, all dramas should be constructed and designed as predicted by Meierkholid." China’s theatrical circles are familiar with stanislavski, but they are still alienated from Meierkholid. Therefore, his "coming back" is particularly important to China’s plays.

　　In a curious and impromptu form, conversation can capture the pedigree of thoughts, the context of terms and the journey of words through colloquialism. In this way, Meierkholid’s Conversation bridged the theoretical gap, reappeared the past time and space, and we can remember the fierceness and habits of the master in his later years. The creation/breaking in art often exists in opposition to each other, accompanied by dazzling Gemini: for example, Dostoevsky is to Tolstoy, Ibsen is to Chekhov, and stanislavski (hereinafter referred to as Stani) is to Meierkholid. Stani is a boundary marker, and Meierkholid will always be a master of innovation. The beauty of Meierkholid is not in the desk, but in the theater; However, the writing on his desk is full of aura, shining with his discoveries, inventions and imagination everywhere.

　　Discovering "Hypothesis" and "Theater"

　　Meierkholid borrowed Pushkin’s words that "the essence of drama art lies in the fact that it is different from reality", and discovered the "hypothesis", which reversed Steiner’s "drama" and emphasized the "theater" of integration. He is an important turning point in the history of directing.

　　"Director" is an independent modern division of labor that began in the 19th century. It originated from the demand for identity and common experience in drama. A unified organizer can aggregate the theaters that have lost their internal binding power. "The origin of the director lies in the framed stage; His first success lies in the imitative stage; And his victory lies in the expressionist and dramatic stage. " For the first time, Duke Meningen played a unique role as a director: fully rehearsing, unifying performance style, conforming to historical costumes and dancing beauty, and realizing the dream of drama integration for centuries.

　　Stani also emphasized the overall design of "director-despot". At first, he gradually turned from external reality to internal reality with the help of external techniques such as sets and props, and pursued "more psychological realism". Stani takes the actor as the core and gives the performance dignity. These familiar terms: experience, through action, inner vision, role tone … … A realistic towering system has been established around actors, which has led for more than a century.

　　Stanny pursues realism and verisimilitude, while Meierkholid explores hypothesis and theater. Realism must admit the hypothesis, and the theater is not a place to reproduce the truth of life and psychology, but a space to express ideas with impressionistic actions. The stage is a platform for performance, not a realistic scene, and life must be transformed into a "theater" to be displayed on the stage. Theater is "the imagination of the audience can provide the rest of the things expressed in unused words"; Theater is not only the lines and the actions decided by them, but also full of all the factors of the stage. Assumption is the characteristic of all arts, and it also refers to a non-descriptive technique, which replaces reproduction with performance and constitutes a "drama" different from "drama" art. Meierkholid and Steiner parted ways from their origins, but they were not out of place, but came from different understandings of realism. The stage does not create illusion reality, but constructs non-illusion hypothesis; So he must invent certain hypothetical techniques.

　　What are "constructivism" and "organic modeling"

　　Meierkholid invented two symbolic terms: constructivism and organic modeling; Without an actor who can communicate and ready-made skills, he invented it and taught it to actors. The invention focuses on three stage factors: action, music and space. Action is no longer the shape outlined by language, but the display of concrete shape. Music is emotional contagion’s time, and it is expressed through the spatial image, thus completing the spatialization of time. The Imperial Envoy is designed according to the sonata, and each new improvisation is a change of theme.

　　Drawing lessons from constructivism sculpture — — Various planes and materials are connected by various lines such as glass strips or steel wires, and an anti-realistic constructivist stage is constructed: the curtain is cancelled, the empty walls are exposed, and the lights are not concealed; The stage is equipped with a combination of platforms, slopes, escalators, runways, railings, roulette, etc., such as scaffolding for building, which is also a necessary fulcrum for actors’ activities. Meierkholid observed Sicilian actor grasso’s understanding of the skills between characters’ emotions and modeling, and summarized them into twelve or three kinds of modeling training. Organic modeling requires actors to receive various trainings in gymnastics, circus and ballet, which is plastic and becomes a magical engine, similar to Gordon Clay’s "super puppet" and suitable for the style of the machine age: strong physique, strong sense of rhythm and accurate movements; Let the whole body participate in our every movement.

　　From the director’s style, he was influenced by Appiah’s plastic stage and lighting skills and Clay’s "screen setting". Although they closely linked the director with the aesthetic program and eventually made it the common language of an international movement, their achievements stopped at an anti-naturalistic stage setting skill. It is Meierkholid who really makes the stage and actors blend into the overall director style.

　　A kaleidoscope of theater exploration

　　The pursuit of theatricality has made Meierkholid move from the stage center to the theater center. The performance is as unpredictable as a kaleidoscope, and it will be amazing to sort out his exploration path.

　　1906 -1907: Directed the mystery play Nun; Masked comedy "Vaudeville Artist"; The expressionist drama A Life of Man. 1908: Directed O ‘Flo, Don Juan and Masquerade, carried out novel ideas and found that it was necessary to start with actor training. 1913 -1917: Developed a unique performance method from masked comedies in ancient Greece and Italy; In the rehearsals of "Mysterious farce" and "Earth-shaking", film screening, jazz music and hexagonal accordion were used to match the noise of the machine. 1922: The Generous Tortoise and Death of Tarelkin, with mature constructivism, adopt the form of farce, and have the roles of clowns and vagrants. 1924: "Give me back Europe" adopts "movable wall" and projection. The stage changes rapidly much like a movie montage, and the lighting also fully shows the dynamics. 1925: The Power of Attorney adopted a screen setting. In 1924, "The Forest" used a mask, divided into sections without a curtain, and the sections were connected by pantomime, with subtitles on the screen, which can be said to be an early "narrative drama". In 1926, "An Imperial Envoy" adopted a platform set with one master and three assistants, and adopted a sonata.

　　Meierkholid tried all kinds of modernist styles, and their scope dwarfed the directors, forming a unique "Meierkholid habit". His rehearsal is impromptu, one way to stage a scene, and then another way in a few days. Improvisation requires superb skills and rich imagination in order to be vivid. Not only that, but also learn from various arts, creatively make the stage film and change the scene flexibly.

　　Meierkholid was extremely revolutionary, attacked and deprived of the theater. He honestly defended his views, and arrest and death followed. It was not until the thaw in the 1950s that he was officially reburied and his plays were staged again.

　　In the last performance of La Traviata, he gave up constructivism and adopted realistic scenery. And from the mechanical outside to the actor’s inner emotions. The most famous is the three meetings between Armand and Margaret, which were designed to be scattered three times according to different plots and emotions: the petals that met for the first time; Scraps of paper from the second proposal; The third coin with negative gas separation forms a stage expression vocabulary. Over time, he will certainly find the hypothetical way to externalize his inner emotions.

　　"At first, you were a maverick innovator, and later you became the founder of the white-haired tradition", which became a prophecy. Modern culture has the ability to assimilate dissidents and turn pioneers into classics. Meierkholid always looks like a clank of iron, but it is full of vitality and strength. As his proud disciple Eisenstein paid tribute to him, "When I am old, I will feel that I am not worthy to kiss the dust under his feet." (Zhou Quan)

Many netizens left messages and wanted to see it. Today it came. The following small series will tell you in detail.

Let’s take a look at the appearance of Mercedes-Benz GLC AMG. The front of Mercedes-Benz GLC AMG adopts a very atmospheric design, which is very recognizable. Coupled with headlights, the design looks very young. The car is equipped with LED daytime running lights, automatic opening and closing, adaptive far and near light, automatic steering, delayed closing and so on. Come to the side of the car, the car body size is 4749MM*1938MM*1640MM, the car uses avant-garde lines, the car side looks very handsome, with large-sized thick-walled tires, it looks full of sports. Looking back, the rear of the car looks lovely, the taillights show a lovely design style, and the overall shape is still very attractive.

Sitting in the car, the interior of Mercedes-Benz GLC AMG looks very sharp, which better enhances the cool feeling. The steering wheel of the car is very in line with the interior style, made of genuine leather, and the shape is very fighting. Take a look at the central control, which is decorated with an 11.9-inch central control screen, which makes the interior style impressive and the overall design of the central control is remarkable. The dashboard and seats are equally eye-catching. The car is equipped with a capable dashboard and is full of technology. The car uses leather/suede mixed seats, equipped with functions such as electric adjustment with memory for the first and second seats, electric adjustment with memory for the seat, and seat proportion tilting, with exquisite materials and comfortable riding.

In terms of functional configuration, Mercedes-Benz GLC AMG is equipped with car networking, driving mode selection, remote control key, rear wiper, interior atmosphere light and other configurations.

To sum up, the Mercedes-Benz GLC AMG introduced today not only has an eye-catching performance in space, but also has reached the mainstream level in various configurations, and there is nothing to be picky about driving experience and space experience.

According to the sales of Link Center, 08 EM-P is expected to be listed in October. The new car will increase the power supply in the trunk, and be equipped with the sun visor and sunflower central control panel of the same model, and optional 20-inch wheels and white paint.

The cash LECK 08 EM-P was listed on September 8 last year, with an official guide price of 208,800-288,000 yuan. In April this year, Lectra 08 EM-P launched the 120-long battery life Plus version, and the starting price dropped to 195,800 yuan. According to sales, the comprehensive discount of cash 08 EM-P is generally between 40,000 yuan and 50,000 yuan.

According to the application information, the new 08 EM-P can be equipped with radar wheel eyebrows, car body with the same color roof, car body with the same color exterior rearview mirror, car body with the same color wheel eyebrows, rear upper camera, front through light, 3 camera trim panel and silver luggage rack.

The new 08 EM-P will continue to be equipped with a 1.5T plug-in hybrid system. The maximum power of the engine is 120kW and the maximum torque is 255N·m, matching with a 3-speed DHT gearbox, and the fuel consumption is 5.5L/100km under comprehensive working conditions.

Dealer address: Tantu imported car, Block B, No.3588 Qixin Road, Minhang District, Shanghai.

appearance design

The body size is 5009mm×2095mm×2035mm, and the shape is stable and stylish. The front face is a combination of honeycomb grille and barbed headlights, with FORD Raptor alphabet, which shows a strong visual impact and king’s breath. The body lines are tough and smooth, and the 19-inch blackened wheels add a sense of movement and domineering to the whole car.

Interior configuration

A large number of high-grade materials are used in the car, such as nappa leather, French double stitching, mahogany, etc., creating a luxurious and comfortable driving environment. The layout of the whole car is 2+2+3 seven-seat design, with spacious space. The cockpit is equipped with double 12.3-inch LCD screens and multifunctional sports steering wheel, which is full of science and technology. The integrated armrest box, wireless charging cup holder for mobile phone, car refrigerator and other configurations are also available, and the middle and rear rows are full of highlights. The aviation seats in the second row have the functions of ventilation, heating, massage, rotation, etc., and also have wireless charging and electric leg supports, providing passengers with first-class comfort. The third row of integrated sofa beds can be leveled 180 degrees. With the rotation of the middle row of seats, it forms a double sofa bed with sitting mode or 2.2 m× 1.3 m, which has both practicality and comfort [__LINK_ICON]. The car is also equipped with a 24-inch multimedia display screen, a small table board, a fragrance system, an Internet TV, a 220-volt power supply, etc., which meets the various needs of passengers during the journey.

Chassis suspension

The car is built on the chassis of Ford Turion Europe, equipped with a 2.0T high-power engine, matched with 9AT automatic transmission, with strong power output and smooth gear shifting, which can easily cope with both urban roads and expressways [__LINK_ICON]. The air suspension equipped on the rear wheel can realize the lifting of up to 9.5cm, and can automatically adjust the height and suspension hardness of the car body according to different road conditions, effectively filter road bumps and improve driving comfort.

Security and technology configuration

The safety configuration is rich, including brake assist, traction control, body stability system, tire pressure monitoring, etc., which provides all-round safety guarantee for drivers and passengers [__LINK_ICON]. In addition, it is equipped with high-tech configurations such as keyless entry, one-button start, APP remote control, streaming rearview mirror and lane departure warning, which improves the convenience and safety of vehicles.

Fuel economy

Dealer Tel: Miss Qing 18501697567 (WeChat with the same number)

Our company’s outlets are all over the country, and we can send cars to your door. Including the following provinces and cities: Beijing, Shanghai, Tianjin, Chongqing, Hebei, Shijiazhuang, Shanxi, Taiyuan, Liaoning, Shenyang, Jilin, Changchun, Heilongjiang, Harbin, Jiangsu, Nanjing, Zhejiang, Hangzhou, Anhui, Hefei, Fujian, Fuzhou, Jiangxi, Nanchang, Shandong, etc. Chengdu, Guizhou, Guiyang, Yunnan, Kunming, Shaanxi, Xi ‘an, Gansu, Lanzhou, Qinghai, Xining, Xizang Autonomous Region, Lhasa, Guangxi, Nanning, Inner Mongolia, Hohhot, Ningxia Hui Autonomous Region, Yinchuan, Xinjiang Uygur Autonomous Region and Urumqi.

On October 4, Yang Ying was on the hot search for four consecutive days due to the "Crazy Horse Show" issue. But she herself has remained silent, neither admitting that she has seen it nor denying the incident, which makes the incident confusing. Unexpectedly, the comment section of her ex-husband Huang Xiaoming was completely blown up, and the nationality of Yang Ying’s father was also exposed. Yang Ying’s remarks about nationality have caused a lot of controversy!

Huang Xiaoming’s comment box is missing.

Huang Xiaoming originally enjoyed the National Day reunion with his family. Unexpectedly, his ex-wife Yang Ying was already on the cusp of the trend. Many netizens flocked to Huang Xiaoming’s comment area to leave a message saying: Brother, the most correct decision in your life is to divorce AB!

Some netizens lamented that Huang Xiaoming had foresight. Fortunately, he and Yang Ying separated, otherwise they would have been scolded this time.

The resources that Yang Ying and Huang Xiaoming have after their divorce are really hard to describe. She started as an 18-line model. After falling in love with Huang Xiaoming, she not only opened up the mainland market, but also ushered in a wedding of the century that shocked the entertainment industry.

Now, although Yang Ying’s case has not been clearly resolved, there is news that her show has been investigated, and even her video has been officially deleted. Even if you are not banned, your reputation and resources should be affected in the future, right?

Yang Ying’s father’s nationality exposed

Ms. Yang has said that she is of mixed Chinese-German descent and that her father is German, although some netizens have revealed that her father holds a German passport and is actually of German-Indian descent.

What made netizens angry was that although their father was obviously Indian, he deliberately ignored and blurred the concept. This kind of behavior is indeed shameful.

Now, because of a "Crazy Horse Show" farce, everyone around him has been involved, which can be said to be more gain than loss. If you really haven’t been there, wouldn’t it be better to publicly deny it?

The case has been going on for so many days and has become so ugly. Do you really not want to answer? If this goes on, the reputation is really irreparable, isn’t it?

#Beauty Cup Flower Creation Challenge #

?

Responsible editor:

　　BYD recently officially released the world’s first exclusive intelligent body control system for new energy — — Cloud, brush screen, the emergence of this technology directly brought BYD’s attention to an unprecedented height.

　　Body control system is the most important active safety system on the vehicle, which determines the dynamic safety and stability of driving. As the latest achievement of BYD’s full-stack self-research, Yunqi is not only the world’s first exclusive intelligent body control system for new energy, but also marks that BYD has become the first China car company to master the intelligent body control system independently, breaking the long-term technical monopoly of traditional giants in the body control system.

　　In the product matrix of Yunqi system, Yunqi -C, Yunqi -A and Yunqi -P have greatly improved the user’s driving experience from the dimensions of comfort, handling, safety and off-road, and better ensured the safety and stability of the whole vehicle, which not only filled the blank of China brand in the body control system, but also solved the "stuck neck" dilemma with technological innovation.

　　Starting from this year, Yunqi system will be installed in the flagship model of Dynasty Ocean, Tengshi, Wangwang and professional personalized brands one after another, empowering BYD to upgrade its entire brand.

　　Systematically solve the problem of body control　

　　The rapid development of new energy vehicles poses a new challenge to vertical direction control. At present, the general research on vertical direction control of car body mainly starts with a single technology or a single hardware. BYD, on the other hand, took a different approach and came up with a systematic solution for the vertical direction of vehicles.

　　Yunqi is an intelligent body control system developed by BYD Auto for five years and costing billions of yuan. It has been developed from the aspects of system design, key parts design, software and strategy algorithm development, matching verification, etc. This key technical breakthrough has realized the decoupling control of the upper and lower bodies, and has the advantages of multi-dimensional perception, accurate decision-making, intelligent control and stable execution, which can comprehensively improve the user’s driving experience and endow the vehicle with high-quality intelligent driving.

　　Yunqi intelligent body control system consists of Yunqi intelligent detection architecture, Yunqi intelligent calculation center, Yunqi intelligent control technology and key components, giving full play to the advantages of electrification and intelligence of new energy vehicles and building a complete system architecture of perception, decision-making and execution.　

　　In the product matrix of Yunnian intelligent body control system, Yunnian -C intelligent damping body control system can realize stepless adaptive adjustment of damping by controlling the electromagnetic valve of shock absorber, and achieve "quality" improvement in driving comfort. While satisfying the extreme comfort, it also takes into account the vehicle handling, breaks the limitation of traditional passive suspension adjustment, and realizes the perfect combination of comfort and handling.　

　　Yunqi -A intelligent air body control system, through Yunqi accurate sensing technology, Yunqi intelligent calculation center makes quick decisions, outputs accurate control strategies, controls air spring intake and exhaust, stiffness conversion valve, shock absorber solenoid valve and other adjustment heights, stiffness and damping, realizes dynamic adjustment of body control, and makes the whole vehicle have extreme comfort, smoothness, support and passability, setting a new benchmark for luxury.

　　Yunqi -P intelligent hydraulic body control system, through Yunqi precise sensing technology, and Yunqi intelligent calculation center, quickly makes decisions, outputs control strategies, and controls the oil intake of shock absorber, damping regulating valve and stiffness regulating valve to realize the dynamic adjustment of body control. Yunqi -P is the world’s first intelligent hydraulic body control system, which integrates three core technologies: mechanical, hydraulic and electronic control. It has the innovative functions of four-wheel linkage and camping adjustment, creating a new peak of off-road

　　Ensure the safety and stability of the whole vehicle.

　　The launch of Yunqi is another breakthrough of BYD’s safety technology after blade battery, CTB and Easy Sifang.

　　Starting from the systematic control of the vertical direction of the whole vehicle, Yunxiao realized the safe dimension upgrade. Yunbi can effectively restrain the change of body posture, greatly reduce the risk of vehicle rollover and reduce the sitting displacement of drivers and passengers. At the same time, the cloud chariot system can effectively protect the car body under complex road conditions such as snow, mud and water, avoid the collision damage of the whole car caused by terrain, improve the comfort and safety of driving, and realize the double protection of people and cars.

　　Due to the lack of R&D in the vertical direction control field, BYD independently developed the Yunqi verification technology, which realized the whole process verification ability of the intelligent body control system, and fully ensured the safety, reliability and quality stability of the Yunqi intelligent body control system from the component level, software level, system level to vehicle level.

　　It can be said that Yunqi intelligent body control system is a super technology with extreme experience and extreme safety. It will bring subversive improvement to the driving experience with excellent genes of high intelligence, safety protection, stable driving and full coverage to ensure the safety and stability of the whole vehicle. "Even if one wheel is dropped, the vehicle can still keep running smoothly."

　　It is understood that Yunqi -P will take the lead in looking up to U8; Yunxiao -A will take the first leap N7; Yunqi -C hardware has been installed on some configuration versions of BYD Han, Tang and Tengshi D9 models, and will be upgraded to Yunqi -C system through OTA.

　　Relying on the new energy technology "fish pond", BYD has continuously strengthened the technical moat, brought about subversive product innovation and continued to expand its market share. The birth of Yunqi intelligent body control system rewrote the history that body control technology relied on foreign countries, filled the technical gap in China and achieved a breakthrough from 0 to 1. At the same time, Yunqi intelligent body control system has surpassed the foreign technical level, and stood in the leading position in the industry as soon as it appeared, completing the upgrade from 1 to 2. (Text: wuyue Figure: BYD)

Author |　Wang ruoye

Edit | Mingming

On July 6, 2022, "Hidden into the Dust" was officially released, with a box office of 349,000 on the first day of release, accounting for only 2.3% of the films.

At that time, the cumulative box office predicted by Cat’s Eye for this film was 565,000, and the final box office prediction of the film by the public remained at around 2 million. As a rural literary film, even Ruijun Li, the director of Into the Dust, once mentioned in an interview that he was worried that this film would become cannon fodder for the summer file.

On August 9, 2022, "Hidden into the Dust" was webcast and landed on many video platforms such as Youku, Tencent and iQiyi. According to past experience, it is inevitable that the box office will decline after a movie is launched on the online video platform. However, Into the Dust unexpectedly broke the inherent cognition of the public.

52 days after its release and 21 days after its online broadcast, Into the Dust miraculously fell to 3.662 million box office in a single day, reaching the highest single-day box office at present. It is predicted that the box office will soar from more than 50 million to more than 80 million again, and the single-day box office is expected to soar from more than 3 million to more than 5 million. Even many netizens boldly said that they are optimistic about the box office of the film. The cat’s eye also resumed on August 30th.predictThe total box office of "Hidden into the Dust" in mainland China will break 102 million.

After the cinema films are broadcast online, it is rare that the box office increases instead of falling, so that it feeds back the film market. It is urgent for the market to find out what makes the long tail effect of the film so strong, and it is also urgent to know whether the box office decline of "Into the Dust" can be repeated.

Word of mouth solidly improves box office performance

　

"Hidden into the Dust" Douban scored 7.8 points, and now it has risen to 8.5 points, ranking first in Douban’s real-time hot book audio-visual list.Not only has it become the first Chinese cinema film with a Douban score of 8 this year, but it is also the Chinese cinema film with the highest Douban score this year.

The official Weibo, who opened the movie "Into the Dust", has only a few more than 1,000 fans. Of the 103 articles published in Weibo, only a few in Weibo have turned over 100 praises and comments. All this makes the announcement of this film seem to have a sense of "big hidden in the city".

The most famous story in the previous film was the behind-the-scenes shooting story told by Christina. Many netizens called that story "The Chocolate Factory in Christina", and this stalk of Christina even replaced "You are my God", which was very popular. However, the popularity of the stars themselves has not been transferred to movies.Before "Into the Dust" went online, the box office was in a downturn.

According to the box office trend chart of "Into the Dust", it can be seen that the box office trend in the picture presents a strange V-shape, but it grows more rapidly after the webcast goes online. On the one hand, the literary film itself is a niche film, and the number of films given in the early stage of the cinema is not enough, which leads to the decline of the box office after the release; On the other hand, webcasting enabled more viewers to see the film, and word of mouth drove the cinema box office.

It is not only "Hidden into the Dust" that still chooses to be put in the cinema after webcasting goes online.

In 2019, the popular animated film "Nezha, The Devil Child Came to the World" was launched on October 11 before it was released on October 26. However, according to the box office trend of "Nezha, The Devil Child Came to the World", the box office of the film continued to decline after it was launched. In 2021, the "520" movie "Decisive Battle Against the Black" was also launched on the online platform on May 29th, while releasing the notice of key extension. This also led to the final box office score of "Decisive Fight Against the Black" of only 405 million.

Can be like "Hidden into the Dust", there are few films that have fallen strongly after webcasting. Searching for the film reviews of "Into the Dust" on social platforms, many people choose to continue Amway with their friends after watching the movie. Many of them decided to go to the cinema to get another ticket after watching the movie on the video platform. Since the audience is willing to go to the cinema for support, the demand for films has increased for cinemas, and it is natural to increase the mutual benefit of film arrangement.

After the number of films in "Into the Dust" increased, the attendance rate was also guaranteed. This is also the effect that high reputation can bring.High word-of-mouth and high box officeThis simple sentence has been truly verified in "Into the Dust".

Short video platform helps box office rebound

　

The propaganda achievements of "Into the Dust" can go to a higher level.The short video platform also contributed.

According to the statistics of cat’s eye data, the topic broadcast volume of Into the Dust in Tik Tok has reached 2.1 billion, and it has been listed on the hot search list of Tik Tok for many times. On August 30, 2022, the number of likes on the official account of "Into the Dust" in Tik Tok has also exceeded 81.49 billion. Compared with thousands of fans in Weibo’s official account, nearly 200,000 fans in Tik Tok’s official account are really huge.

In addition to official accounts, "tap water" bloggers on the short video platform have also emerged after the webcast of "Into the Dust".Major film bloggers and online celebrity bloggers in different fields have started to publish relevant contents of "Into the Dust".

July was a smash hit, and Dong Yuhui, who has many fans, also talked about "Hidden into the Dust" in the selection live room in the East. Judging from the volume of fans in the East’s selection live broadcast room, there are not a few potential box office supporters. On August 22nd, in Tik Tok’s hot search "What’s the stamina of hiding in the dust?", the film published by online celebrity blogger Kongkong Diary with 4 million fans was praised by nearly 500,000 people. In the video, Kongkong Diary explained his feelings of watching movies, and many netizens began to post the classic lines in this video comment area. Another part of netizens who haven’t seen "Into the Dust" spoke in the comments, saying that they had been arrived by Amway and would go to the cinema to see the film.

On the one hand, among the audience groups of short video platforms such as Tik Tok, there are more rural users in third-and fourth-tier cities and counties.As a rural film, Hidden into the Dust, especially the huge display of farming culture in the film, easily resonates with netizens in Tik Tok.

And according to the cat’s eye data, the local box office growth of "Into the Dust" is concentrated in the Central Plains region where the farming industry is relatively developed, such as Shaanxi and Henan. Based on this, it is found that it is a correct and beneficial strategy to choose short video platforms such as Tik Tok to announce the content in the later stage of "Into the Dust". In the early stage, "Into the Dust" made accurate publicity for the audience of literary films in developed areas such as Beishangguangshen and Shenzhen. The main creators ran several rounds of roadshows, but the results were minimal.

The news of being shortlisted for Berlin Film Festival failed to make literary film lovers take "Into the Dust" out of the circle, but a rural blogger on a short video platform made "Into the Dust" successfully enter more people’s horizons.

On the other hand, the second creation and editing of "Into the Dust" on the short video platform is mainly based on the output of film reviews, which is very inflammatory.The expression of netizens’ true feelings can drive more people to express their views on this film and arouse everyone’s interest in this film.

Breaking the inherent circle of literary films, "Hidden into the Dust" is still accumulating after the online broadcast. How to make good use of the audience of the short video platform so that webcasting is no longer a "box office springboard" may be a new thought brought to the film market by "Into the Dust".

Can "Into the Dust" be reproduced?

　

In recent years, the only film short-listed in the three major European competitions, Hidden into the Dust, was also withdrawn in February 2022.

Due to various reasons, the film market remained sluggish in the first half of this year, and "Into the Dust", which was released in July, did not expect that the film with minority theme was expected to become a phenomenal domestic literary film. It is not a simple matter to reproduce the success of "Into the Dust".

First of all, from the perspective of subject matter, although "Into the Dust" is a literary film, its content is close to the northwest countryside, which coincides with the audience of the short video platform.With the help of short video platform, the box office can take off directly.Secondly, after the webcast was launched, the number of second-generation videos on the short video platform increased.However, different from the ordinary plot explanation, the second creation video of "Into the Dust" is mostly an emotional film review, which extends from the story of the film to the emotional expression of the group and can impress the audience to watch the movie.

There is also the support of the cinema for "Into the Dust".As early as the beginning of the film’s release, the general manager of Jinan Belle Palace Cinema once sent a message to Weibo, saying, "Into the Dust" has been streamed, but I am still arranging films for it, because I firmly believe that the sound effects on the big screen are more attractive to fans than computer screens and mobile phones. " On August 30, 2022, "Into the Dust" won the highest attendance rate on that day, which did not live up to the expectations of many cinemas.

But most importantly, we have to return toThe quality of "Into the Dust" itself passed the test.Therefore, it can be full of stamina.

At the same time, the film "Tomorrow’s Battle" was ridiculed on the short video platform for "selling badly", and the box office just passed 600 million after 27 days of release. Ruijun Li, the director, also said in an exclusive interview with Zumu News that he understood the choice of film arrangement in cinemas and cinemas in the early stage. "The audience has the freedom to choose what to watch, and the cinemas have the freedom to choose what to arrange. Even if we want to talk about feelings, the premise is to let the market operate first. Now the cinema has been’ hungry’ for a long time, let the cinema fill its stomach first, and then take care of art movies. "

It is gratifying that the market has now clearly perceived the value of the art film "Into the Dust". On September 30, 2022, "Hidden into the Dust" was postponed to September 30 after it was announced on August 2 that the key was postponed to September 12. In addition to the key extension, the proportion of cinema films is also rising, reaching 10%. Compared with the release volume of about 0.2% in the early stage, the box office data of "Hidden into the Dust" in September should be more impressive.

It can continue to ferment word of mouth after webcasting, and the box office in a single day has exceeded 4 million, and the total box office has reached 37 million.This is a miracle of a film, and it also indicates new opportunities in the film market.

Author: Twenty-two Island Owners

Compared with previous years, this year’s China films in Cannes can be described as a comprehensive return. Face of china films were shortlisted in the main competition, a kind of attention, bi-weekly directors, film critics week and other units.

However, for the general audience, people are more concerned about the performance of China stars on the red carpet and China actors who are shortlisted for the film, and whether it is possible to win the prize. This year, two short-listed films, Mistakes by the River and Burning Winter, both star in young filmmakers who have a high popularity in China, which has become the focus of public concern.

In the movie "Mistakes by the River", Zhu Yilong plays the role of Ma Zhe, a criminal policeman. Neither the film nor the original work focuses on the detection of the case and the truth about who the murderer is, but focuses on depicting how Ma Zhe, as an obsessive person, is constantly fiddled with the unspeakable truth and gradually falls into absurd, uneasy and confused moments and memories. On the basis of the original work, the film enriches some pre-history and relationships for Ma Zhe. For example, he seems to have made a third-class merit and is proud of it; I am very loving with my wife, but I have a disagreement on the issue of the upcoming child; The director thinks highly of him, but sometimes he feels that he is one-track-minded and somewhat out of place with this system …

The enrichment of these details provides a starting point for Zhu Yilong’s performance. As a male-dominated drama, almost every scene of the film has the appearance of Ma Zhe, but there is no emotional drama that is particularly exposed on the whole, and most of them are silent inner dramas and dialogues with people around them. In the film, there is a scene in which Ma Zhe falls into a dream, which is an ingenious stroke of the film. In this scene, the audience cuts in from the first perspective of Ma Zhe, and as he experiences something that seems to be true and unreal, these scenes need to be established through Zhu Yilong’s performance in the previous performance to establish the audience’s emotional connection with Ma Zhe.

At this point, Zhu Yilong can be said to have completed it successfully. As a criminal policeman in the movie, when he appeared, he was dressed in leather, unshaven and disheveled. Whether walking or smoking, it has the feeling of ordinary criminal police at the end of last century. According to Zhu Yilong, for this role, he lived in the county town for a month and a half, and especially observed the living habits of some policemen who are now middle-aged. Because of his thin figure, he gained weight for his role to nearly 160 Jin, which was not specifically required by the crew, but after chatting with these old policemen, he found that these people were generally overworked because of staying up late and being too nervous. In the second half of the film, as Ma Zhe fell into a trance, his weight plummeted, and he wore tired dark circles every day. Zhu Yilong then lost weight according to the changes of the characters in the shoot. It can be said that at least in appearance, Zhu Yilong stood still, and upheld the consistent breakthrough in styling since The Event of Life.

Of course, in The Mistake by the River, we can not only see the difference of Zhu Yilong’s modeling, but also feel the change of his performance style. Although "Life Events" doesn’t have many scenes or plots to express inner feelings with eyes, it can be seen that he has been using his eyes to convey inner subtext, so when the film was released, there were many comments praising Zhu Yilong as a veritable "eye skill school"; But in The Mistake by the River, it can be clearly seen that he uses his eyes less, but also uses some micro-expressions and external actions, such as smoking, pacing, meditation, etc., and the director rarely gives him close-ups, which adds a bit of mystery to this character. It can be said that Ma Zhe was originally a puzzle solver, but through Zhu Yilong’s interpretation, he also became a part of the puzzle.

Of course, due to the difficulty of adaptation, the film can’t fully present the original appearance. In the second half of the original, Ma Zhe has undergone amazing changes. If that part of the passage can be played by Zhu Yilong, I believe it will be a greater blessing for him to win the prize. At present, the overall impression is still a little dull. However, from "Life Events" to "She Disappeared" and then to "Mistakes by the River", I have to admire Zhu Yilong’s team’s vision in choosing roles. These characters are complex and not single, and they are highly compatible with Zhu Yilong’s own temperament, which is very valuable.

It is particularly worth mentioning that Zeng Mei Hui Zi, who plays Ma Zhe’s wife in The Mistake by the River, is equally eye-catching. In a limited number of scenes, he has constructed a forbearing and strong wife image. Unfortunately, there are too few scenes. If we can give this character more space, I believe it will enrich the play.

Compared with the hero’s main play "The Mistake by the River", the three leading roles in "Burning Winter" are relatively even, and they all have a lot of room to play. Nana, Haofeng and Han Xiao are very ordinary, so they seem to have no personality, so they need actors to return to themselves completely, perform and interpret their roles with the state of life.

Zhou Dongyu is the core figure in the film. He cooperated with director Anthony Chen for the second time, and also cooperated with another starring Haoran Liu for the second time, which can be said to have a certain bond. In recent years, Zhou Dongyu’s works rarely appear in cinemas. Most of the films such as King of the Sky, Nightlife in Changsha, You are My Spring, Hug You Through the Winter are special appearances or guest appearances. As the first female starring, Flame on the Plain was unexpectedly withdrawn. This time, Burning Winter can be said to be her best screen performance in these years, which once again proves her strength as a three-gold winner.

Liu Haoran needs a breakthrough even more. He once wrote an article summarizing the difficulties faced by the new generation of actors. Haoran Liu’s biggest problem is that he also succeeded in Tang Tan and lost Tang Tan. His personal box office is basically supported by three Tang Tan, and there is no particularly impressive screen role in recent years. The role of "Haofeng" appeared at the right time, which not only stepped out of Haoran Liu’s personal performance comfort zone, but also provided a relatively novel character image for the current China big screen.

Qu Chuxiao’s performance in the film is also quite amazing and full of powder. In fact, we can see from "I want us to be together" that he is more suitable to play this kind of contemporary urban/small-town youth, because he has a kind of "dejection", but when he pulls himself together, he can also burst into a kind of "burning energy", which are more valuable qualities in him than actors of the same age.

As mentioned above, these roles need actors to return to self-acting, so Anthony Chen also provides them with some favorable conditions, such as the names of characters come from actors, Zhou Dongyu’s nicknames Nana and Haoran become Haofeng and Chu Xiao become Han Xiao, etc., and the role settings are all from the actors’ own hometown, Hebei, Henan and Sichuan, which makes it easier for actors to enter.

Nana in the film is a tour guide and the first person to appear in the film. From the moment she appeared, the real life breath came to my face. In the interview, Zhou Dongyu said that she specially observed the speaking habits of the tour guides, and combined with Anthony Chen’s lines full of life, she presented the image of a girl who was careless on the surface but fragile and sensitive inside to the audience from the beginning.

In terms of performance methods, we can actually see that the three actors are not limited to men or women. Haofeng and Daxiao will have a delicate and soft side, while Nana will also have a strong and self-reliant side. It can be said that in this film, there is no "actor" or "actress" in a complete sense. Everyone is just playing people who are trying to live, and they all have two sides of their personalities. This is also the state that director Anthony Chen deliberately tries to blur some gender.

Generally speaking, Burning Winter allows the audience to see Zhou Dongyu, Haoran Liu and Qu Chuxiao that they have never seen before. At present, many comments focus on the erotic scenes of Zhou Dongyu and Haoran Liu, which is actually somewhat biased. If you really see several erotic scenes in the film, I believe it will prove our previous point: the actors in this play are highly unified with the characters, and all the plot settings are also for the characters.

This year, the main faces of Chinese actors in Cannes Film Festival are above the standard, which is gratifying and worth looking forward to. After all, I sincerely hope that in the future, more and more young China filmmakers, whether directors or actors, can bring their works to the temple of this film, instead of just rubbing the red carpet and making some short-lived exposure. After all, opportunities are always reserved for those who are prepared.

"S is thin, M is beautiful, L is rotten, XL is rotten, and XXL is rotten." There is also a small line on the size table, "Only for girls aged 18-35, please consult customer service first according to your figure". Recently, a suggested size table for women’s wear in RT Mart shopping malls caused controversy. In response, its official Weibo statement said that improper wording in publicity materials would strengthen internal management to ensure that such incidents would not happen again.

To be honest, I thought it was a spoof at first. I can’t figure out how a publicity board full of malice towards women got green light all the way to the wall. Wen Wenjun, who thinks that playing homophonic terrier is very humorous, used just two lines to account for all the discrimination against women’s age, gender and figure, and there is really no one.

According to the clothing size, the female compatriots, who account for three fifths of all women, are all in the queue of "worse than bad". Also coincides with the "Double Eleven" period, so the IQ and EQ are not online, offending the gold owners and sisters who are the main force of "buy buy Buy". I’m afraid this business will really be "broken up".

It’s 2020, but the mainstream aesthetic of women still stays on the long legs with black silk. Every once in a while, there are female stars who are hung up on hot search because of their "expansion". It seems that women can only be equated with self-discipline if they are white, young and thin, chopsticks legs, A4 waist and paper people.

Even actress Gong Li, who was named "Gong Huang" by the domestic entertainment circle, was not spared. In August this year, a street photo of Gong Li and her husband caused a heated discussion among netizens. In the photo, Gong Huang wore a pink floral dress, and the whole person looked natural and graceful. However, in the netizen’s message, the words "the waist of the bucket is full of fat, and the unicorn arm is raised" are still very heartfelt.

Top female artists who are over 50 years old and internationally renowned have to be humiliated by their bodies. It also makes female compatriots realize that in the world ruled by deformed aesthetics, women never seem to escape the fate of being examined, evaluated and humiliated by their bodies.

A female star in the spotlight should take a scale with her when eating a meal. If you eat a little fat, you will be ridiculed by the whole network. Some people argue that the harshness of actresses’ figure has industry particularity, because they belong to the representatives of traffic and attention. You can think about it carefully. Is being fat or thin the only criterion to judge an artist’s quality? Don’t you see, how many red flowers are there, and there is a good skin, but I don’t know where the face value is higher than acting. After many years of debut, acting will only be silly and sweet.

Not only stars, but also ordinary women are kidnapped by the abnormal aesthetic of "one fat destroys everything", which is both a victim and a perpetrator. Under the single aesthetic effect of being thin and young, the standard of beauty becomes thin and thin again.

The popular "BM style" this summer, the once popular "A4 waist", "keeping goldfish on the clavicle" and "touching the navel with the backhand" all made the "fat girl" feel ashamed. In order to become beautiful, some girls go to great lengths to soak in Chili water, induce vomiting, and even shrink their stomachs to lose weight. Others are addicted to plastic surgery, leaving serious sequelae.

It’s easy to get rid of the brand of "XXL corresponding to’ broken’" in shopping malls, but it’s difficult to break the hidden rules of female body humiliation.

The beauty of women should not be confined to the standards defined by others. Beauty is a lot of money. Only by establishing healthier and diversified aesthetic standards can women have more self-confidence, not be shackled by the standard of "white and thin", accept the traces left by years and love their bodies, live high.

At this year’s "Talk Show Conference", a remark made by star agent Yang Naizhen is worth reflecting-"Girls should not be defined by standards, there is no standardized beauty and ugliness, just like yourself."

Let more women stop criticizing themselves for the eyes of strangers, have the right to health and beauty, and break the shackles of stereotypes and concepts. There is still a lot that the whole society needs to do. Let’s start with something like "XXL corresponds to’ breaking up’".

Source: The Paper.