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Special feature of 1905 film network On the evening of February 14th, Lianrui Film announced that due to a major mistake in the schedule selection, its main film withdrew from the highly competitive Spring Festival file and was postponed to March 30th this year. February 15th was the last day for the film to meet the audience during the Spring Festival.

Viva La Vida tells the story of two seriously ill young people, Lu Tu and Ling Min, who finally see the sunshine of life because of relay for life. The film was warm and cured, and gained a good audience reputation. Douban scored 7.9, but at present, the box office is less than 100 million yuan, and the market performance is far below expectations. Here we also hope that good movies can be seen by more people.

In this special program of Spring Festival "Spring Festival Movies Booming", the director of Viva La Vida leads the leading role and walks into Blue Feather Living Room, which is the final chapter of Han Yan’s trilogy of life and is full of moving and healing power. In the interview, the main creator revealed the behind-the-scenes of the film for us.

Lan Yu: Just now we have been cycling the song "Shake the Sun" in a single.

Han Yan: Yes, I heard it when I was a child. "Don’t miss a good time", isn’t that the theme of our movie? I decided to use the name of this song as the title of the film.

Lan Yu: You two have been singing just now. Who sings better?

Peng Yuchang: She sings well. The emotional part must be that she sings well.

Li Gengxi: On the aspect of all five tones, it has to be him.

Lan Yu: How did the director first think of letting them play this movie?

Han Yan: At that time, the script was not completely finished, and I didn’t think in my mind who would play these roles. At that time, after meeting them, the role seemed to be more concrete in my mind. For example, Geng Xi looks very thin and small, but when chatting with her, I can feel that there are many special things in my heart, which is very similar to the role of Ling Min. What about Pumbaa? You see, he is always sincere and innocent, and so is his performance.

Lan Yu: Did you observe his innocent face?

Xu Fan: He is innocent. I think my son just wants to wake him up.

Lan Yu: Today we are about to usher in Pumbaa’s "social death" moment. Because Pumbaa actually performed in a variety show six years ago.

Peng Yuchang: I’m really sweating.

Han Yan: Very sincere and innocent.

Lan Yu: What kind of impression did you have on director Han Yan’s works at that time?

Peng Yuchang: Worship.

Han Yan: It’s so hypocritical. I just said that he is sincere.

Peng Yuchang: Worship, really, really.

Li Gengxi: I think he was very pure at that time. Now, after all, people are almost thirty, and there will still be one thing, that is, a sense of vicissitudes and a sense of story.

Lan Yu: I heard that the director said before taking this play that he could not take other plays for six months. Did he make such a request?

Han Yan: Right. Because I want them to spend as much time as possible immersed in the role to be played, I don’t trust that you can get into this role instantly by pulling away from the role in another play.

Li Gengxi: At that time, it happened that I hadn’t filmed for half a year. I was completely in the state of my own life, and then I could devote myself to this play. I have been with the role every day for five months, and this experience will be a very precious experience in my career.

Lan Yu: So this time you two should walk into different lives. What lessons did you do, Geng Xi?

Li Gengxi: Basically, I experienced the local life in Changsha. Later, we went to the hospital, visited those patients, talked with them and learned about their lives. The most striking thing is that it is too real, such as someone’s eyes, or a patient showed me a fistula in his arm.

Lan Yu: Geng Xi has many details in the movie, for example, she eats lemons. Does this detail come from these real patients?

Han Yan: I have observed that some patients’ daily life, such as eating lemons, including how they control salt, potassium and water, including some normal things, will be concentrated on Ling Min.

Lan Yu: Is it cool for Geng Xi to eat citric acid every day?

Li Gengxi: My teeth will be very astringent, and my mouth will be drooling all the time. My lips may be pickled and broken a little, and it will be very sour if I eat it again.

Lan Yu: What about Pumbaa?

Peng Yuchang: The patients we met were different. I think even before, you were afraid to touch life and life and death, but after talking to them, they gave me an optimistic, positive and sunny attitude, which made me ashamed. On the contrary, I am still a more sensitive person who may be afraid of this.

Lan Yu: This is what the film wants to present. It was a very interesting scene when you two met. Was it entirely the director’s design?

Han Yan: Right. Lu tu, like a stone, knocked the quiet lake out of the waves. A meeting changed Ling Min’s life and the direction of our movies, so I hope that meeting is interesting.

Lan Yu: What’s the code word?

Han Yan: "Ollie gives". This code word … Let me guess that Lu Tu is a state in which his life is always half a beat slower than this era. Maybe many people think that the slogan "Ollie gives" is out of date now, but I think it may be the exciting period for Lu Tu.

Peng Yuchang: "For Ollie", it took four days.

Lan Yu: Another scene is your confession on the rooftop. At that time, how did you understand Lu Tu’s courageous confession?

Peng Yuchang: They are like complementary souls, and they have feelings there. Let’s send out the most sincere ones.

Lan Yu: How did Geng Xi feel when he heard Pumbaa say that?

Li Gengxi: I will feel that this is the first time he has said something different from his usual. That feeling is quite complicated. There are new feelings about him, new feelings about himself, and the past and future of two people.

Lan Yu: I feel that I have more love in this world, and there is someone who really loves you.

Li Gengxi: Maybe love was not enough at that time, but I felt as if I had found a bosom friend.

Lan Yu: That’s very good. The director nodded frequently just now, and I feel that Geng Xi’s understanding of this character is actually very thorough.

Han Yan: Yes, because I think that feeling she just said, I’ve been thinking. For example, many people ask me why I always make such movies related to the theme of life. The birth of mankind itself is a great miracle. The chance of our parents meeting and combining and giving birth to us is one in four hundred trillion. These two people can still meet in this situation. In our play, it means that this is one in three hundred million. Therefore, the meeting of the two of them that night and the unpretentious dialogue, in my opinion, are quite moving feelings.

Peng Yuchang: In the wedding scene, the director really didn’t ask us so much, but let us finally follow our feelings.

Han Yan: It’s also the last scene. They have gone through all the processes of the whole movie.

Peng Yuchang: I just watched everyone, my mother and the teacher. When everyone was down there, I saw the director sitting at a table, as if I had accompanied Lu Tu and Ling Min through this journey in recent months. Tears welled up in my eyes, and I felt moved by that moment.

Han Yan: I said one thing that they didn’t know, that is, I hesitated all the time in the process of making this film. In the end, did he get married bald or grew a little hair? After his first haircut, I saw him show that scar. At that moment, I felt that I should show this scar to get married. We also gave Ling Min a close-up, and she didn’t wear cuff again. Those scars are a medal for them to overcome life, get rid of life’s predicament or get out of trouble.

Lan Yu: Pumbaa has a lot of courage. He dares to completely shave his head in this scene. But when I saw the real shave, Pumbaa still had some fluctuations in his heart. Geng Xi comforted him with special jokes, saying that you were more handsome after shaving, right?

Han Yan: It’s not a joke, it’s true.

Peng Yuchang: Actually, I’m a little scared. I’m really scared, but I think later, in fact, I’m right to be scared. Because Lu Tu said the second time, I don’t want to go into the operating room again. I don’t want to experience this life again. That fear is really the fear of facing hardships. Facing this life, the fear of this disease is right.

Lan Yu: They are really trying very hard to get close to this role and find their true feelings. Mr. Xu Fan, when you were working with them on the set, could you feel the seriousness and persistence of young actors in their performance?

Xu Fan: Yes, because I think they just tried their best to be immersed in the role. This is meaningful. I remember that when we filmed the scene of cooking, Pumbaa was very real. He was full and ate a lot after just one shot.

Peng Yuchang: I’ve been eating.

Xu Fan: But when the director said to do it again, he said to do it again? If I had known, I would have eaten less. At the beginning, he devoted himself to this role, so when I saw them both, I felt very vivid. These two children were so interesting, but they went to do theirs and I did mine. This is called separation between the old and the young.

Lan Yu: This movie is full of fireworks. It was shot in Changsha, which is a city that makes us feel very fireworks. Pumbaa’s Hunan Supu, did you ask any friends around you?

Peng Yuchang: Yes, I asked the teacher, and the group also prepared a language teacher for me.

Lan Yu: Have you got any secrets about Su Pu in Hunan?

Peng Yuchang: At first, I thought it was just a change in tone. After filming for about seven days, I was particularly impressed. Suddenly one day, the director said that you should stop talking like that. You can talk like this. That day, it was the first time that I realized that the pitch didn’t have to be raised so high, but it must be like Su Pu, and normal speech was also Su Pu.

Lan Yu: If you use Su Pu to describe the three people present, what would you say? First of all, describe mom.

Peng Yuchang: Here’s Ollie.

Lan Yu: Here it is from Ollie. What about the director?

Peng Yuchang: What the director said … was wrong.

Han Yan: It means a liar.

Peng Yuchang: Because he lied to me. That bald guy looks good.

Han Yan: I lied to you, but it’s not just bald. I lied to you a lot.

Lan Yu: I am happy to be fooled. Where is Geng Xi?

Peng Yuchang: It’s beautiful.

Lan Yu: This dialect is very important. It immediately established the life quality of this character, including Mr. Xu Fan, in which you also spoke dialect.

Xu Fan: Yes, because I’m from Hubei, and the plastic arts in Hubei are different from those in Hunan. What’s the ending in Hubei? This ending is different, and sometimes I’m particularly afraid of stringing, so I have to control myself from stringing at any time, because a string of Hunan people says it doesn’t look like it, and Hubei people will say it doesn’t look like it, so I have to control it as much as possible.

Blue feather: the waves behind the Yangtze River push the waves before. Geng Xi is a post-00 generation. It is very surprising for us to see her performance strength. Can you join such a movie? Will you have your own confused moments during the performance?

Li Gengxi: Every play is like a new beginning. Han Dao is very particular about details, so I can’t use my experience. Experience is the most worthless thing. You need to forget all these things, but you have to put yourself in that shell and be at the mercy of Han Dao. So this thing is a wonderful feeling.

Han Yan: You forgot that you sent me a message the other day. She said something to me at that time, which impressed me deeply. She said that I thought they were too difficult and I didn’t know how to help them. I also want to make myself a little less comfortable. This kind of touch or feeling can really make this character’s heart feel melted.

Li Gengxi: (with tears in his eyes)

Han Yan: Did you mention anything sad?

Li Gengxi: No, no, no.

Lan Yu: You suddenly recalled that feeling, didn’t you?

Li Gengxi: Yes, I just have to say how bad this whole thing is for me.

Han Yan: I want to explain to you that the two of them didn’t just suffer some flesh and blood when they played this role, because I always shoot this kind of drama myself. I know very well that every time I shoot this kind of movie, I shoot Fuck off! Tumor jun, whether filmed or filmed, is born and died once with the role. I am well aware of the pressure and struggle behind their performance.

Lan Yu: What kind of new understanding does director Han Yan have of life after filming the trilogy of life?

Han Yan: I have been particularly sensitive to birth, illness and death since I was a child. Later, I filmed these things by myself, which was a process of self-healing. Why did I keep filming? Because I have never been cured, that is, the medicine can’t stop. I think people will always have doubts about life when they are alive.

Lan Yu: "Shake the sun" reminds me of a picture, as if the feeling that the sun is shaking brighter and brighter is releasing more and more light. As long as we live hard and upward, we will be able to shake out the sunshine that belongs to our own life.

Han Yan: This is a movie with vitality and warmth.

    Entrepreneurs usually have no time to study the right and wrong of entrepreneurship itself.More than a month ago, I was invited to give a speech at China Europe International Business School. The topic given by the organizer "China Europe Business Review" was "Observation and Thinking on the Entrepreneurship of the Whole People". At that time, I was still stunned:Is it necessary to reflect on mass entrepreneurship at the beginning?

In preparation for my speech, I began to search for information. To some surprise, I did see many opinions on mass entrepreneurship. For example, "sports innovation", "New Great Leap Forward", "If the government can’t solve the employment problem, let college students start their own businesses", "If taxpayers’ money is used as a venture capital fund, who will be responsible for hitting Shui Piao" and "encouraging impetuousness" are all mentioned, and even some economists are questioning it.

A magazine in the south that is famous for its fresh ideas, the cover report in September is called "What the hell is entrepreneurship?" ",the main idea is that we need a bucket of ice in the enthusiasm and loss of the whole people’s" selling iron in a pot "business. The article wrote:

"Entrepreneurship is becoming a national movement. Everyone will hear the entrepreneurial legend of classmates Li Lei and Han Meimei, colleague Ma’s salary increase, and Pharaoh next door getting rich overnight."

"Everyone wants to be a Chinese partner. If you don’t dress like a technical dog, you don’t have a few business plans in your hand, you don’t sit in a coffee shop with an Apple computer on your back, and you don’t press PPT twice. You are embarrassed to say hello to others."

"Now even going to the toilet is going to be’ internet plus’. Impetuousness, hype, over-packaging, deception and false concepts pervade the entrepreneurial circle. 90% of college students fail to start a business, and many people die on the road to entrepreneurship in less than one year-they are killed by feelings, killed by internal friction in team differences, abused by investors, stupid by one-track thinking, bullied by giants, despised by the market, and killed by investors.

I am also an entrepreneur in the internet plus era. At first, I didn’t think it necessary to respond to these questions.Because the people who accuse the public of starting a business are basically not entrepreneurs themselves, not those who dare to take risks, but more "risk neutral" or "risk averse".However, as an old media person and a new media entrepreneur, I think it is necessary to speak frankly about my views, and also to discuss with the skeptics of mass entrepreneurship.

one

"Do you know why the Soviet Union can let Gagarin go into the sky, but the people can’t eat delicious bread?"

The first astronaut in the world: yury alekseyevich gagarin.

This is a question asked by the teacher when he took an economics course in Fudan in the 1980s.

The teacher’s answer is: to make Gagarin the first earthman to go into space can be solved by concentrating national resources to do great things, and the Soviet system has the ability to gather outstanding scientists to focus on tackling key problems. The bread problem needs decentralized decision-making, and people in every place have different tastes. The Caucasus, Moscow, Siberia, the elderly, pregnant women and children have different tastes, so they can only learn about it nearby and rely on countless scattered suppliers to meet them one by one. It is impossible for the country to develop a super formula to solve it uniformly.

There are many reasons for the disintegration of the former Soviet Union, but it cannot solve the bread problem, which may be the most fundamental.

If a country wants to develop, it can adopt a centralized planning system in some fields; In the early stage of economic development, we can also encourage "takenism" through the guidance of industrial policies and take the road of reference, imitation and introduction. The centralized decision-making and industrial guidance of the country are reasonable, but history also proves that the government is not smarter than the enterprises in a certain market in the choice of specific industries and projects. No one can know the changes in consumer demand in advance, but can only explore and grasp through the market mechanism in the transaction interaction of thousands of buyers and sellers, which is always changing today and tomorrow.

市场经济之所以越来越复杂，是因为人的需求越来越复杂，越来越个性化。就像彭麻麻在国际舞台上每一次优美亮相，一个小时后淘宝上就会出现同款服装，几十、一百件小批量试水，这需要多么灵敏的反应速度！怎么可能由某个层层都要汇报批示的“官僚体系”安排好呢？

    经济越往前走，模仿空间越小，越需要自己创新。而创业、创新往往都是在一次次尝试中包括对错误的调整中实现的，有时甚至是误打误撞找到了一条路，这扇门被关掉别的地方又开了一扇窗。因为是分散决策，有输有赢有起有落很正常，每个“经济人”也会及时改变。谁也不会傻到明明碰到南墙，头还硬往上撞。失败和调整不是什么浪费，而是必须支付的创业创新成本。不走市场配置资源的道路，指望政府有个超级大脑洞悉一切，不仅不可能，也是给政府过高期望和过大压力。历史上由于政府的某些不合理产业政策，明知南墙也要撞、撞得头破血流的例子还少吗？政府应有的职能不在这里。

2

Last year, at the National "Two Sessions", when Li Keqiang participated in the group discussion, he recalled the years of "educated youth" in this way.

"In those days, I jumped the queue in Fengyang, Anhui Province. I was the’ head’ of the production team and the secretary of the brigade branch. At that time, I got up very early and slept very late every day. The production tasks of everyone in the production team, this person transplanting rice and that person carrying the burden, were all arranged. "

"But the villagers still don’t have enough to eat. When the production team is seriously short of food, it even needs to take the official seal of the brigade to prove to the women and children in the village that they have escaped from the spring shortage."

"As a result, the contract system was pushed away, and the production team basically ignored it. Farmers cultivated their own fields and planned what they wanted to plant and what to plant, and the problem of food and clothing was solved within a few years! Reform is indeed the biggest dividend, because it has mobilized the enthusiasm of thousands of people in Qian Qian, stimulated the vitality of the market and released the creativity of society. "

In the winter of 1972, Luwan District, Shanghai Gymnasium, was the scene to send off the educated youth who went to the countryside.

The memory of youth has a profound influence on Li Keqiang. In his article published in Qiushi magazine, he also talked about this story.

I don’t know if the old man in history ten or twenty years later will come to such a judgment when describing China’s economic history from the late 1970s-this is the largest entrepreneurial tide in human history, which occurred in a country with the largest population and lasted for fifty or sixty years.

Some people say that the country can’t solve the employment problem before letting college students start businesses. To solve the "employment difficulty", all parties should work hard, but is it necessary for the state to allocate jobs today? We must know that reform and opening up are forced out: in rural areas, it is "hunger-driven"-if farmers do not have enough to eat, they will have a contract system; In the city, it is "unemployment-driven"-there are so many educated youths returning to the city, and there are no jobs. They can only start from a small business of opening a hotel hair salon, making watches and clothes, and making furniture for maintenance. A history of reform and opening up is also a history of China’s entrepreneurship.

    It is not easy to start a business. If you can be reborn in a luxurious home, all your desires can be satisfied at once. It is estimated that not many people want to start a business. However, the world is mostly civilians, and if ordinary people want to change their fate and make themselves live better, richer and freer, entrepreneurship is undoubtedly the only way.This simple power is so powerful that no matter how hard and tired it is, generations of entrepreneurs still jump in. This jump, China and the love of the market economy began, and never separated.

    Mass entrepreneurship is to give everyone the freedom to choose to change their destiny.It is a new formulation, but it is not a new phenomenon, but an economic theme that runs through the whole past 30 years.

such asAs a result, the reform and opening up began with the liberalization and decentralization of the "double release", so today’s "double innovation" can be said to be the inheritance and re-development of the "double release" from a new historical starting point. China should create new dividends and rely on entrepreneurship; We should go beyond the "imitation trap" and rely on innovation. "Double innovation" is not only the source of economic vitality, but also the way of transformation and upgrading.

three

In the United States of last century, there was a "roaring twenties". People who wake up after World War I believe that modern science can make everything possible, economy and technology have unlimited potential, trains, cars, telephones, radios, new consumer goods, infrastructure expansion, stock investment, population explosion and urbanization, all of which make people firmly believe that a completely different era is coming.

Time and space switch. After 100 years, the tide of "double innovation" in China is like a mighty river, based on the huge market, with the Internet as the starting point, and relying on emerging consumption and new lifestyles. In this process, the government just pushes the hand, not the main body, but every ordinary entrepreneur. In 2014, there were 12.93 million new market players (including private enterprises and individual industrial and commercial households) in China, and this year, there are basically 10,000 new registered enterprises every day. Although the new subjects have to explore, it is impossible to become the leading force of the economy in a short period of time, but in time, they will surely become the new pillars to boost China’s economy.

    The essence of entrepreneurship is to find opportunities that can better meet the needs of consumers and put them into practice.In practice, entrepreneurs will "generate" knowledge that books can’t learn. The more people start businesses, the more new knowledge they generate, and gradually form a chain reaction and network effect. Entrepreneurial opportunities will not be exhausted with the use of entrepreneurs. On the contrary, every opportunity will collide and create another opportunity. From a deeper perspective, the engine of economic growth is not investment and consumption, but the institutional and cultural environment that helps to "capitalize" entrepreneurs and entrepreneurs’ opportunities. It is the spirit of entrepreneurial innovation, not any kind of capital, that can provide the most fundamental driving force for economic growth.

Shuangchuang is also forcing reform. Historically, wherever the property rights system is weak and the rule of law is lacking, entrepreneurs tend to seek rent from regulators, engage in "unproductive activities", or turn to the underground economy, or even castrate themselves, which stifles entrepreneurial spirit. It can be asserted that if China, the biggest entrepreneurial tide in human history, can promote her great rejuvenation, it must be supported by a grand and profound institutional change. Too much management will lead to death, only when it is released can it be invigorated, and only when it is simple and respectful to the people can China write a magnificent and energetic new chapter.

four

China has suggested that,We must put innovation at the core of the overall national development, optimize the allocation of labor, capital, land, technology, management and other factors, stimulate the vitality of innovation and entrepreneurship, promote mass entrepreneurship and innovation, release new demand, create new supply, and promote the vigorous development of new technologies, new industries and new formats.

From the perspective of economics, China’s thinking today is not to keep expanding its balance sheet, so as to continue to be locked in by the traditional development model; It is to enlarge and strengthen human capital, create fresh and effective new supply, adapt to new demand and lead new demand by giving full play to everyone’s enthusiasm and creativity. In this process, economic resources will be more allocated to emerging forces, to creators and to the future. As long as the allocation of resources is constantly optimized, we will be able to get out of the new time tunnel and usher in a new horizon.

From the economics of innovation, we can also derive sociology of innovation, pedagogy of innovation, and politics of innovation … No matter which direction or field, we need to seek a breakthrough in the spirit of innovation, get rid of the shackles of existing stereotypes and create unprecedented increments. Only in this way can tomorrow be better and we can be better.

    Double creation is the spiritual gene from which each of us can draw strength today.

The current government is facing the downward growth and structural adjustment of China’s economy, the historical burden and the inertia of vested interests. Although it has a lot of courage, it is inevitable that there will be a lot of helplessness on the road to governance in reality. It’s too early to talk about the gains and losses of the government, but I think that just putting forward and vigorously promoting the "double innovation economy" will go down in history and last for a long time.

I am an entrepreneur, and my entrepreneurial experience may be shallow, but I believe that countless entrepreneurs will deeply remember this era of double innovation.China’s economy is not only a big ship economy, but also a Qian Fan economy, not only a big tree economy, but also a wanmu economy. Only when all kinds of frost compete for freedom can an innovative country be built.

There are thousands of ways to start a business and innovate. You can learn first and then create, create while learning, and cooperate with others to create. Everyone has a path to participate, which does not mean that everyone will drop out of school and start a company. However, the spirit of entrepreneurial innovation should be respected by the whole society and promoted in the whole society.

As entrepreneurs, we may fail and be frustrated, but when we encounter the historic opportunity of innovation, we are proud to make such a choice-we would rather fall on the road to the future than be parasitic on the path dependence on the past.

This is a nation with a history of 5,000 years, and our mission today is to create a more beautiful future for China through entrepreneurship and innovation.

A Xin, the lead singer, interacts with fans on the stage. Our reporter Wu Ping photo

　　(Reporter yan hou) Last night, the "Mayday DNA Creation Concert" was held in Beijing’s Capital Gymnasium. From the beginning, the audience stood up and shouted the whole process, and there were also scenes of chorus from time to time.

　　Yesterday, the attendance rate of Shouti reached more than 90%. At 7: 30 pm, the video of "Flying Car" began to play on the big screen of the stage. The crazy flying car lens made fans feel as if they were there, and they exclaimed from time to time. Suddenly, the white screen on the stage was unveiled, and the car in the video just appeared above the stage. Mayday started with a series of fast songs, such as "Rolling Car", "Booming Liver", "God of Gambling", "Long Live Love" and "Hosee", which made the fans crazy at once, and the audience stood up and waved their arms and shouted. A credit, the lead singer, greeted the Beijing fans with "Long time no see". A Xin said, "Is everyone happy? I think some people are unhappy. Before leaving here tonight, everyone should be really happy. " Then "You Are Not Really Happy" sounded, and all the fans sang with A Xin.

　　When the following songs, such as Live Above Life Below, Crazy World, An Apple, Where My Heart Has Not Collapsed, Content, Sea of Life, sounded, almost all the fans sang with A Xin on the stage, and the whole audience became karaoke. Apart from singing the songs of the new album, Mayday didn’t disappoint the fans, and classic tracks such as Away from the Earth’s Surface, the Monkey King, Stubborn and Gentleness made the fans enjoy themselves.

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