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The front face design of Mercedes-Benz EQE adopts a family-style closed air intake grille, which is simple and full of scientific sense. The body lines are smooth, and the overall style is elegant without losing the sporty atmosphere, showing a sense of modern luxury.

Mercedes-Benz EQE has a body size of 4,969 * 1,906 * 1,514 mm, a wheelbase of 3,120 mm, and front and rear wheel tracks of 1,639 mm and 1,650 mm respectively, providing spacious and comfortable interior space. The side lines of the car body are smooth and elegant. With the 19-inch rim, the rim adopts a unique design style, and with the 235/50 R19 tires, it creates a fashionable and dynamic appearance.

Mercedes-Benz EQE’s interior style is both luxurious and scientific, and the overall design is simple and atmospheric. The center console is equipped with a 12.8-inch high-definition touch screen, supports voice recognition control system, and can easily operate multimedia system, navigation, telephone, air conditioner and skylight. The steering wheel is made of leather, equipped with electric up-and-down and forward-and-backward adjustment functions, which is convenient and comfortable to operate. There are 3 front and 2 rear Type-C interfaces in the car, which is convenient for passengers to charge and connect equipment. The seat is made of imitation leather. The main and auxiliary seats have the functions of front and back adjustment, backrest adjustment, height adjustment (4-way), leg rest adjustment, waist support (4-way) and so on, and support heating and ventilation. The driver’s seat and co-pilot seat are also equipped with electric seat memory function, which is convenient for drivers and passengers to adjust their seats to the right position. The rear seats support proportional tilting, providing more storage space. The front seats are also equipped with wireless charging function, which is convenient for passengers to charge their mobile phones.

Mercedes-Benz EQE is equipped with a powerful motor with a maximum power of 215 kW and a maximum torque of 556 Nm, which provides excellent acceleration performance and driving pleasure for the vehicle.

The evaluation of EQE’s appearance is quite high. He mentioned: "The appearance is novel, and I still like it. This appearance will not be out of date for at least 5 years. Many people say that EQE’s appearance is too round, and it depends on the individual. " His evaluation shows EQE’s unique design style and its lasting charm in appearance.

In the past, China brand cars often gave people the inherent impression of being "cheap", but in recent years, with the advantage of localization, they have improved their strength in all aspects and developed rapidly. For most people, it is only the beginning to mention cars from 4S shops, and the cost of car maintenance in the later period is the big deal. So what I said today can help us save some money in the future. As for the outstanding performance of the car, please read it together.

First of all, from the appearance point of view, AION Y’s front face style looks unique and looks simple and generous. Coupled with cool headlights, it is a bit more concise and generous. The car is equipped with LED daytime running lights, automatic opening and closing, delayed closing and so on. Coming to the side of the car, the body size of the car is 4535 mm * 1870 mm * 1650 mm. The car adopts young lines, and the side of the car presents a cold design style. With large-sized thick-walled tires, it gives people a very clean feeling. In terms of the rear end, AION Y’s rear end lines are sharp, and the taillights give people a very sharp feeling, which is quite unique overall.

Sitting in the car, the interior design is avant-garde and the overall shape is remarkable. The steering wheel of the car is very simple in shape and made of leather, showing a sense of atmosphere. From the central control point of view, the car is decorated with a stylish touch-control LCD central control screen, which makes the interior style impressive and looks eye-catching. The interior feels good. Let’s take a look at the dashboard and seats. The car is equipped with a sharp dashboard, which looks very fashionable. The car adopts imitation leather seats, which are wide and thick and comfortable.

AION Y is equipped with a motor with a total power of 100KW and a total torque of 176N.m, with good acceleration, excellent cruising range and good power performance.

The car is equipped with traction control (ASR/TCS, etc.), Bluetooth /WIFI connection, cruise control, voice control, intelligent key and other configurations. The configuration is not bad, and there is no problem in meeting daily use.

I wonder if you are excited about this car introduced today? You might as well go offline to feel it more on weekends.

When it comes to Kung Fu superstars, people will naturally think of Jet Li and Jackie Chan. But the Kung Fu stars in the film and television circle are not just those. Zhao Changjun is also one we can’t forget. Zhao Changjun and Jet Li have very similar early experiences. They were both top martial arts talents in China, both national martial arts champions, and they were about the same height. But because a "Shaolin Temple" separated their lives. Jet Li developed into a Hong Kong film industry and became an international superstar all the way. Zhao Changjun, on the other hand, has been working quietly in the martial arts field, and now he is a martial artist and entrepreneur.

Zhao Changjun, 57, was born in Xi ‘an. He is now the vice chairman of Shaanxi Wushu Association, the head coach of Shaanxi Wushu Corps and the president of Zhao Changjun Wushu College in Xi ‘an, China. He is a representative of Chinese national standard Wushu. In the early years, Zhao Changjun was a martial arts star who was very popular with the audience. Since 1980s, when he was the martial arts director of the film The Mysterious Buddha, Zhao Changjun has starred in the films Wudang, Wang Wu, New Fang Shiyu, Treasure Sword in Game Writing, The First Knife in China, the TV series Legend of the Sea Lantern and Seven Zhen Zi in the Holy Water View. Zhao Changjun, with his superb martial arts and chic stage appearance, has successfully created many heroes in the Wulin on the silver screen, and has been praised as the "Prince of Martial Arts" by martial arts lovers and fans. In particular, the TV series "Legend of the Sea Lantern" starring him has been popular all over the country, and it is still a wonderful childhood memory of the post-70s!

Zhao Changjun and Jet Li have both participated in international Wushu competitions on behalf of their countries. They are very familiar with each other and have lived together in martial arts. In the gap between participating in the competition and filming, the two often learn from each other, often wrestling and gesticulating. In 1978, Zhao Changjun and Jet Li fought for the individual all-around championship. Under the careful guidance of Master Ma Zhenbang, Zhao Changjun defeated Jet Li that year and unified the Wulin for 10 years. It can be said that Zhao Changjun is a rare rival in Jet Li’s martial arts life.

But generally speaking, the level of Zhao Changjun and Jet Li is equal, and each has its own advantages. Zhao Changjun’s training since childhood is characterized by high speed, good explosive power and good jumping ability, which may be related to his long-term practice with folk teachers. This later became the advantage of Zhao Changjun and Jet Li in the competition, which was faster and more explosive than him. But Jet Li also has his advantages, that is, his movements are smart and beautiful.

However, the appearance of a movie changed the fate of two people.

In 1979, Zhang Xinyan, a Hong Kong director, selected actors for the cast of Shaolin Temple in a Wushu invitational tournament in Shandong, and Jet Li was one of them. However, Zhao Changjun was transferred to the Mysterious Giant Buddha as a martial arts director at that time, and missed Shaolin Temple. In 1983, Zhang Xinyan met Zhao Changjun and said with regret: "If you had participated in the competition at that time, you would have been selected." In fact, Zhao Changjun was the first choice for Shaolin Temple at that time, but Zhao Changjun Brightness, whose thoughts were very contemporary and heavily branded, rejected the Hong Kong director because it was "too sensitive to be a mainland film". In this way, the opportunity went to Jet Li, the same martial arts champion in Chinese mainland.

As a result, everyone knows that Shaolin Temple made Jet Li famous overnight. Although Zhao Changjun also became popular because of the film Wudang, Wudang is a far cry from Shaolin Temple. It is a martial arts film in the mainland, and it is not mature enough in terms of shooting techniques and martial arts design. Shaolin Temple not only performed in China, but also flew to Asia, Europe and America, and Jet Li’s fame was further enhanced. Wudang is only shown in the mainland, and Zhao Changjun can’t go abroad naturally. How can it be compared with Jet Li in popularity? A Shaolin Temple not only changed Jet Li, but also changed Zhao Changjun.

In fact, Zhao Changjun once had the opportunity to develop in film and television. After filming Wudang, a company in Hong Kong wanted Zhao Changjun to sign a contract, but Zhao Changjun felt that he had already filmed a martial arts film. Compared with filming and teaching, he felt that he had more feelings for martial arts in reality. So I chose to engage in martial arts teaching and education. As a result, Zhao Changjun returned to Shaanxi to run a school and rarely set foot in the film and television circle.

In addition to Jet Li, there is another important person related to Zhao Changjun in his life experience. That is!

Just when Zhao Changjun became famous for winning martial arts championships and acting in martial arts movies in succession, Bow Sim Mark, a Chinese female coach of the American Wushu Team, came to visit: "Your kung fu is very good. Can you accept my son Donnie Yen as an apprentice?" Zhao Changjun dare not promise, because the other party wants to study for one year. I have never seen a foreign player who has to study for so long. "You have to ask the organization." Later, with the purpose of enhancing friendship, Donnie Yen became Zhao Changjun’s apprentice with the approval of the organization.

Because his mother opened a martial arts school in the United States, and he worked in the Beijing Wushu Team for two years when he was 16 years old, Donnie Yen’s physical fitness and martial arts skills are good. Zhao Changjun’s "three unique skills" and Donnie Yen have all learned some fur. Compared with the whole routine, he obviously prefers beautiful movements, such as jumping up and throwing his back, which is very difficult. It’s very tiring to do it, but he feels handsome enough, and he often practices this action obsessively all day. Donnie Yen once told Zhao Changjun directly that he was not interested in winning the championship. He studied martial arts just to make movies, become a martial arts star and make a lot of money.

In late 1987, Donnie Yen went to Hongkong directly. Now, like Jet Li, he has become an international action star. It can be said that without Zhao Changjun, there would be no Donnie Yen’s achievements in film and television today.

Although not as popular in the film and television circles as Jet Li and Donnie Yen, Zhao Changjun has also achieved great success in martial arts. Let’s wish this martial artist more and better martial arts stars.

From the day it was released, the film Chang ‘an Three Wan Li had some heavyweight "iron powder" on the social platform, and behind them were a large number of fans who were willing to watch the movie for these "iron powder", which constituted a part of the audience of Chang ‘an Three Wan Li.

There are many stars such as Dylan, Bai Jingting, Zhang Yi, Carman Lee and Dapeng among these "iron fans", and there are also many bloggers with huge fans. Some of them forwarded recommendations, some invited fans to watch movies, and others wrote thousands of words of recommendations, which can be said to be unintentional. Since it was released on July 8th, the box office of Three Wan Li in Chang ‘an has exceeded 1.3 billion, with a douban score of 8.2.

The film tells the story of a few years after the Anshi Rebellion, when the Tubo army invaded the southwest, the Tang Dynasty made Gao Shi’s engagement unfavorable, and Chang ‘an was in jeopardy. Gao Shi, who was trapped in an isolated city, recalled his life with Li Bai to the eunuch of the prison army. From the perspective of Gao Shi, the film shows the prosperity of the prosperous Tang Dynasty and the ruins after the Anshi Rebellion, such as Li Bai and Du Fu.

Three Wan Li in Chang ‘an is a ten-year work of light-chasing animation. From a small company ten years ago, to an enterprise that owns such major productions as White Snake series and New God List series, light-chasing has stood firm. This time, "Three Wan Li in Chang ‘an" witnessed the growth of chasing light for ten years, and it is also the concentration of ten years’ hard work.

For nearly three hours, the film tells the romantic story of Chang ‘an like a giant axis, and uses flashbacks to reproduce the glorious Tang Dynasty with its brilliant lights and cultural achievements reaching its peak, and the people’s misery after the "An Lushan Change".

The picture of the film is quite beautiful, especially the segment of sleepwalking in Tianmu Mountain, which shocked countless audiences. The audience seems to be driving clouds with Li Bai and Master Cen, sleepwalking in the blurred and spectacular wonders of the sky.

In addition, the lines of this film are also made great efforts. The whole film applies the works of countless poets, from Li Bai and Gao Shi to Du Fu, Cui Hao, Wang Changling, Wang Wei, etc., which reflects the different characteristics of each character. For example, the image of Du Fu, the "poet saint", is a lovely and soft child in the film.

Seeing these familiar figures and lines, many viewers can’t help chanting those words with the characters. This is another attraction of this film-suitable for all ages. Many parents bring their children to watch, and while watching, they can cultivate their sentiments. Why not?

However, there are many opposing voices in the evaluation of this film.

First of all, many people don’t agree with the character modeling. Most of the characters in the movie are short stature, with strong upper body and small thin legs in the lower body. Compared with the common "long legs" and "nine body", this proportion of characters always loses a little handsomeness. Especially in the second half of the film, middle-aged frustrated Li Bai even had a "beer belly", and the image of a paunchy belly made many historical fans dissatisfied.

In addition, the narrative protagonist of this film is Gao Shi, which means that Gao Shi will have a lot of lines, shots and descriptions of psychological activities. Many viewers ran away for Li Bai, and as a result, most of the pages were devoted to Gao Shi, calling out: It’s better to change its name to Gao Shi Zhuan.

The high-fitness perspective of the whole film will lead to the tendency of high-fitness psychological activities to guide the audience’s thinking. Therefore, many people feel uncomfortable when they see Li Bai ignoring high-fitness several times in the film. Some viewers think that Li Bai is timid, short-sighted and has problems in his political position from the high-fitness perspective. "This is simply discrediting Li Bai," they said.

In addition, some plots in the film are different in history, such as Li Bai was finally released from prison, who played the main role, and the film attributed this credit to Gao Shi, but some viewers questioned that this plot was different from the content of history books.

There are some problems that can’t be ignored in "Three Wan Li in Chang ‘an", but the flaws don’t hide their flaws. From the day after the release of Douban, the score is 8.0, and now it is 8.2, which shows the Excellence of the film and the satisfaction of the audience. "Three Wan Li in Chang ‘an" achieved such good results, which is also a great progress for China animated films.

Mazda, as one of the earliest car manufacturers in Japan, although many of our fans and friends have a variety of views on it, but have to admit that its models, whether in terms of appearance design or handling performance, does have a relatively good performance, in the early years, Mazda 6 with outstanding design, as well as good quality performance, is instantly fire all over the country, won the love and pursuit of many fans, but finally, due to various reasons, led to its suspension of production and sales, which makes many fans feel very sorry, in the face of the current increasingly competitive car market, Mazda in order to attract more fans and friends of the eye, it has also begun to constantly layout and enrich its own new models road. On January 31st, Mazda officially released the official picture of its new mid-sized SUV, the CX-70. According to relevant information, the new car will be built on the same platform as the CX-90, so you can also think of it as a scaled-down version of the CX-90. Let’s follow the editor to learn more about it.

Mazda CX-70, the new car will be first launched in North America in the spring of 2024. In order to meet the needs of different car fans and friends, the car will not only offer a fuel version, but also a PHEV version. In terms of styling design, we can see from the official picture above that, compared to the big brother CX-90, although the Mazda CX-70 looks somewhat similar, upon closer inspection, you will find that the car feels more sporty. The oversized polygonal air intake grille on the front face is blackened internally, and the chrome trim is decorated to enhance the fashion atmosphere that it should have. The large Seagull logo is inlaid in it, adding a bit of due brand recognition. The narrow headlights on both sides, together with the exaggerated vent design on both sides of the front, make it look young and dynamic. The sharp waistline outline of the side body enhances the sense of power it should have. The roof rack, window periphery, and outer rear mirror shell are all blackened, and the multi-spoke rims below are added to further enhance the overall sense of movement. It is worth mentioning that in order to highlight its unique identity, the PHEV version is also equipped with an exclusive logo on the fender.

In terms of body size, according to relevant information, the wheelbase of the Mazda CX-90 is the same as that of the CX-90, but the length of the car will be shorter. In addition, the car adopts a five-seat seat layout. The rear part looks round and full, and the narrow tail lights on both sides echo the headlights. After lighting, it has a good recognition. The blackened spoiler above further enhances the overall youthful and fashionable feeling. In terms of interior design, the Mazda CX-70 basically continues the design style of the CX-90, among which the fuel version of the model adopts a red/black color scheme, the PHEV version of the model mainly uses black as the main color, and the floating central control large screen will integrate many functions. It looks very technological. In addition, the car is also equipped with a head-up display system, Bose stereo, and mobile phone wireless charging. Configuration, three-frame multi-function steering wheel, with exquisite and compact shift mechanism, and Nappa leather wrapped seats, so as to create a comfortable and luxurious interior atmosphere as a whole.

In terms of power, the Mazda CX-70 fuel version is equipped with a 3.3-liter inline 6-cylinder turbocharged engine, divided into 3.3 TURBO and 3.3 TURBO S versions, with a maximum power of 280 horsepower and 340 horsepower respectively. In terms of transmission, it is matched with an 8-speed automatic transmission. The PHEV version is equipped with a 2.5L four-cylinder engine and a 68-kilowatt motor combination, with a combined maximum power of 323 horsepower and a pure electric range of 30 miles (48 kilometers). Overall, the Mazda CX-70, as a new mid-sized SUV in the family, has a relatively good performance in terms of design, interior atmosphere, and power performance. Due to its exterior design, it can be said that it basically caters to the aesthetics of most current car fans. Finally, the question is, do you think the Mazda CX-70 will be officially launched in the future, and how much will the car cost? Welcome to the following to discuss.

(Eighteen/edit)

Note: The pictures are from the Internet, and the rights belong to the original author. Thank you together! This article only represents the author’s personal opinion and does not represent the position of Youshi Auto.

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The Toyota Asian Dragon exudes a unique charm with its streamlined body design and elegant appearance. The front face features an atmospheric hexagonal air intake grille, paired with sharp LED headlights, to create a blend of power and technology. The overall style blends movement and stability, and the body lines are smooth, giving a high-end and refined feeling, which can attract people’s attention whether on urban streets or highways.

The side lines of the Asian Dragon are smooth and elegant, showing a low-key and refined aesthetic. The body size is 4990mm*1850mm*1450mm, and the wheelbase is up to 2870mm. This size design guarantees spacious interior space and driving stability. The front wheelbase is 1595mm and the rear wheelbase is 1605mm, which makes the body proportionally coordinated and more dynamic during driving. The tire size is 215/55 R17, and it is matched with a delicate wheel design, which not only enhances the visual effect of driving, but also ensures the grip and comfort of the vehicle in various road conditions. Overall, the side design of the Asian Dragon is both practical and design-rich.

[Asian Dragon Interior Highlights]
The interior design of the Asian Dragon shows the perfect combination of refinement and practicality, dominated by minimalist style, with attention to detail carving. The steering wheel is made of plastic material, although not genuine leather, it feels comfortable and easy to handle. The 8-inch central control screen is clear and intuitive, with integrated multimedia functions, which is convenient for the driver to grasp information at any time. The seat is made of fabric material and has been carefully adjusted to provide good comfort and support. It supports front and rear, backrest and high and low multi-directional adjustment to meet the needs of different drivers. Whether it is visual or tactile, the Asian Dragon interior reflects the high emphasis on the driver’s experience.

The Asian Dragon is equipped with an outstanding 2.0L naturally aspirated engine with a maximum power of 130 kilowatts and a maximum torque of 207 Nm. This engine has 177 horsepower, providing a solid power output for the vehicle. Matched with a CVT continuously variable transmission, the simulation of 10 gears allows the Asian Dragon to achieve smooth and efficient gear changes during driving, ensuring a smooth driving experience and fuel economy.

To sum up, the Autohome owner was full of admiration for the Asian Dragon. He particularly emphasized the exterior design of the vehicle, saying that its side and front face are domineering enough to attract attention. In addition, the space is spacious, and even for users of his size, there is no pressure. The transmission of the hybrid model is quite silky, without frustration, making the driving experience smoother. Finally, the cruise control and lane departure reminder functions provide great convenience at high speed, making driving easier. These advantages undoubtedly make the Asian Dragon stand out among many models, becoming a trustworthy and pursued car.

1905 movie network news The highly anticipated film has continued to have a solid box office reputation since its release on July 19. Not only did the score of present on all major platforms not drop but rose, but it surpassed the total box office of the previous work in only three and a half days. The first week accumulated 177 million, achieving a gorgeous double counterattack. After six consecutive days of release, it won the championship of the single-film box office, box office ratio, and number of viewers. Two "40 million +" on the first weekend helped the single-day box office and number of viewers exceed the first day to achieve reverse growth. As of 22:30 on July 24, more accumulated 198 million and 200 million in advance. In order to give back to the audience’s love, the film released a special highlight of the "Battle of the Case Library" in the film, watching how the embroidered spring knife fights the meteor hammer in this highlight, which is known as the essence of the whole film’s action design. The film will also start the second stage of the roadshow from the 25th to the 28th. Director Lu Yang and Zhang Zhen will arrive in Shenzhen, Changsha, Xi’an and Chengdu to meet local fans.

Six days and 6 consecutive titles 198 million "Embroidery Spring Knife · Shura Battlefield" box office reputation continues to develop

Since its release on July 19, the movie "Embroidery Spring Knife · Shura Battlefield" has been presented on all major platforms with a solid reputation: 8.4 tickets, 8.5 for cat-eye audiences, 8.3 for Guevara, 8.0 for entertainment tickets, and 8.0 for movies. On the always harsh Douban platform, the film has received nearly 60,000 comments, and its score of 7.6 is even higher than the previous work’s 7.5 points. The good reputation that does not move like a mountain has also been transformed into a continuous effort at the box office. The film has won 6 times in a row in six days of release. The single film’s box office, box office ratio, and number of viewers on the day are the first. The first weekend’s two "40 million +" not only made the single-day box office and the number of viewers exceed the first day, but also made the film’s first week box office reach 177 million, which has exceeded the total box office of the previous film by 75%. Its high quality, hot topic and high reputation have become the three major boosters of battery life. As of 22:30 on July 24, the film’s box office has accumulated 198 million and is about to officially pass the 200 million mark.

On the first day of its release in 2014, it achieved 7.18 million box office, and with the assistance of quality and word-of-mouth, it walked out of a way of counterattack. And "Embroidery Chun Knife · Shura Battlefield", which has been polished and upgraded for three years, not only won more than 5 times the 38.37 million of the previous work on the first day, but also continued the "counterattack" style of the series. It only took three and a half days to complete the comprehensive transcendence of the previous work’s word-of-mouth and box office. It was promoted to the recent phenomenon film, and also showed the long-term strength of "Embroidery Chun Knife · Shura Battlefield".

"Don’t be afraid of textual research" became an easter egg outside the film, and the classic "Meteor Hammer War" feature clip was released

One of the major features of the "Embroidery of Spring Knife" series is that the story background is embedded in the real history, which is highly credible, which has also promoted many professional discussions on different content among different groups of people. It can be called an easter egg outside the film, and it has also made the "Embroidery of Spring Knife" series "not afraid of textual research film" title. As early as the end of the previous film, Zhao Jingzhong (Nie Yuan) and the cavalry were talking in which language, fans had already conducted some verification. Before the release of "Embroidery of Spring Knife · Shura Battlefield", it has attracted much attention from weapons to characters. The audience not only extended the discussion of Xin Zhilei’s Japanese saber technique, the black gold fire gun of the Ming soldiers, and the impermanence of the brocade-clothed guards in the film, but also verified that Shen Lian and Pei Lun were indeed people in history, and even Shen Lian later replaced his father’s embroidered spring sword, which was verified as a treasure sword handed down during the Jiajing period.

In the exciting feature clip of the "Battle of the Case Library" specially broadcast by the film, the stunning appearance of the Meteor Hammer is the team’s reference to a large number of historical documents, combined with specific historical facts, characters and environments to create. While Shen Lian and Chief Zheng embroidered the spring knife battle with the Meteor Hammer outside the case library is the most amazing fight in the whole film. The fight, plot and characters are intertextual, and they are not limited to moves and even skillfully integrate parkour and other elements. The actual battle also makes the audience immersed in it. After watching the movie, many viewers said: "The scene of the Meteor Hammer has an extreme style. The sound effects of the weapons are solid and vivid, and the action and editing are getting faster and faster. In the end, the cutting is crazy, until it reaches the realm of death fighting." In this regard, director Lu Yang revealed: "Meteor hammers are rarely depicted in action movies. This time, we found decathlon champion Liu Fengchao to practice for this weapon for half a year." The specially exposed "Battle of the Case Library" is also a feature clip that reappears in the film after "Blowing Warm Water" and "Pei Lun’s Question". While giving back to the audience, it also allows netizens who have not yet watched the movie to feel the quality and brilliance of "Embroidery Spring Sword Shura Battlefield".

The movie "Embroidered Chun Dao · Shura Battlefield" has been released on July 19 and continues to be hot, and will start the second stage of the roadshow from the 25th to the 28th. Director Lu Yang and Zhang Zhen will arrive in Shenzhen, Changsha, Xi’an and Chengdu successively to meet with local fans. The film is the first work of Bad Monkey Film’s "72 Change Film Project". It is produced by director Lu Yang and Ning Hao. Chen Shu, Lu Yang and Yu Yang serve as screenwriters. It also brings together Zhang Zhen, Yang Mi, Zhang Yi, Lei Jiayin, Xin Zhilei, Jin Shijie, Liu Duanduan, Li Yuan, Wu Qiang, Yang Yi, Wu Xiaoliang, Li Hongtao, Liu Fengchao, Yuan Wenkang, Ma He, Liu Tingzuo, Wang Renjun and other powerful lineups.

Special feature of 1905 film network It’s May Day again. After the "strongest Spring Festival file" and "the strongest Qingming file" in history, this year’s May 1st file once again set a new box office record. According to the statistics of M Big Data of 1905 Movie Network, the box office of May 1st movie in 2021 has exceeded 1.67 billion by May 5th, an increase of 9.4% compared with the same period in 2019.

This year’s May 1st file is known as "the most crowded May 1st file". During a short five-day holiday, more than ten movies were arranged. And the types of movies cover almost all popular types, such as love, suspense, spy war, police and bandits. In this May Day film, the top three at the box office are,, and.

This year’s May 1st file handed in such a satisfactory report card. Zhang Jinfeng, the deputy editor-in-chief of China Film Newspaper invited by this issue, mentioned that the May 1st box office results are inseparable from these three effects.

Holiday effect

The publisher probably expected that more people would choose to walk into the cinema during this short holiday than when they were away from home!

@ Zhang Jinfeng: Especially after the epidemic, it has become a common phenomenon for the film market to choose holidays to enter the cinema in the process of recovery. Moreover, in the absence of imported blockbusters this year, the number of people watching movies has increased by 25.9%, which can explain the effect of holidays.

Head effect

The May 1st movie should be My Love and Above the Cliff. The box office of the two films has reached more than 60% of the total box office, which is a big cake at the box office of May 1st.

@ Zhang Jinfeng: My Love may still have a gap in the quality of creation, but this film wins by accurately grasping its mainstream audience — — Young female audience. And it still has comedy and touching plot settings, which has a good connection with the target audience of the film in terms of emotion.

@ Zhang Jinfeng: Speaking of Above the Cliff, all aspects of this film actually reflect a creative level of China-style films, which should be regarded as the first choice of the market audience.

Word of mouth effect

Although the pre-sale of My Love reached more than 74 million, it could not escape the ultimate judgment of film quality — — Word of mouth. My Love didn’t get a good reputation in the later word of mouth, and the Douban score was only 5.1.

In just five days, two films have achieved box office counterattack through good word of mouth.

Above the Cliff, the first runner-up, won a good reputation because of its solid output. The box office of the film Above the Cliff has been on the rise since May 1, and the cumulative box office has reached 627 million, surpassing My Love and ranking as the box office champion.

In addition, another film with a good reputation is "Decisive Fight Against the Black", which is more grounded. Many real cases are adapted to face the ills of corruption, and the interpretation of powerful actors such as,, and so on adds points to the film.

At present, although it didn’t get a box office jump in the initial stage, its high reputation contributed to the continuous benefit of the film, which jumped from the humble sixth place on the first day of release on May 1 to the third place at this week’s box office, with a cumulative box office of 146 million.

Many movies have seen the holiday effect of May 1st, thinking that getting together may be able to gamble on attention. Now, the May 1 ST file is over, and some people are happy and worried on the report card. It is true that intercepting the short-term box office cannot be used as a yardstick for judging a film, but the word-of-mouth gained in five days is enough to show the quality of the film.

After all, the success of the film is not limited to the box office.

Today’s film reviewDirector’s observation:The rare issue is not a summary program from the beginning to the end. The guests did not praise the "strongest May 1st file in history" in a routine way, but raised hidden dangers and problems under the high box office, and analyzed and discussed the phenomenon of excessive contrast between the previous holiday box office and the weekday box office. I hope that after reading it, I can have more understanding of the schedule arrangement of the current China film market, and I also hope that I can see high-quality domestic movies not only during the holidays, but also on weekdays. (Director of Ma Hongyu’s Today’s Film Review)

Special feature of 1905 film network On September 6th, the "Russian Film Week", under the guidance of the Ministry of Culture of the Russian Federation, the Russian Embassy in China, the Propaganda Department of Hunan Provincial Party Committee and Hunan Film Bureau, and co-sponsored by China Film Group Corporation, Xiaoxiang Film Group Co., Ltd. and Russian Central Partnership Film Company, kicked off in Beijing, China, and officially launched a four-day Russian film screening activity.

AARON Li, Special Representative of China Government for Eurasian Affairs, andre Denisov, Russian Ambassador to China, Bai Yimin, Deputy Director of National Film, Mao Yu, General Manager of China Film Group Corporation and other leaders, filmmakers and other guests attended the opening ceremony of Russian Film Week.

Actor Zhang Guangbei is the director and producer of the Russian TV series of the same name. He remembers seeing the novelist Vasilyev in Moscow sixteen years ago. He said, "The experience of filmmakers from the two countries fighting side by side has made me unforgettable. As a film and television worker, it is very meaningful to contribute to the friendship between the Chinese and Russian peoples."

Screenshot of the TV series "The Dawn is Quiet here"

Director Jia Zhangke said that he has always been a fan of Russian military movies, and he is also looking forward to challenging the shooting of war themes one day. The younger generation of Russian filmmakers have the creative characteristics of "poetry and reality". The Chinese and Russian filmmakers have the same soul, and there will be more cooperation in the film field in the future.

In fact, as early as 2017, Jia Zhangke co-directed the first cooperative film of BRICS countries with Russian directors. Produced by Jia Zhangke, the film brought together five film directors from China, Russian, Indian, Brazil and South Africa to make a short film with the theme of "Where has the time gone?", telling their different understandings of time and emotion from their own unique perspective.

This "Russian Film Week" will be shown in Beijing and Changsha from September 6 to 10 and September 8 to 12, respectively. Six representative Russian anti-fascist works, such as The Last Frontline, Life and Death Ball Match, Highland 89 and Zoya, will show Russia’s humanistic charm and national spirit in the light and shadow world, and also bring spring to the audience in Beijing and Changsha in autumn.

spring in the north

Among the six films, T34 was shown in China on December 11th, 2020, which tells the story of heroic Soviet soldiers successfully escaping from the Germans. The film won the "Special Medal of the Iron Man Jury" and the "Best Editing Award" in the 5th International Action Film Week.

Border Fog was released in China on March 12th this year. The film tells the story that Michael used to think that his ancestors were traitors who surrendered and committed suicide in the Soviet-German battlefield, but by chance, he found the door of time. After crossing back, he found that his ancestors were all heroic soldiers … …

The Last Frontline tells the story of the heroic resistance of the students of podol Sk Infantry and Artillery School on the outskirts of Moscow in October 1941.

"Highland 89" heroically reproduces the tragic bloody battle in the Caucasus Plain, which is more epic than the classic sniper’s work, and won the Russian Golden Eagle Award and the Russian Nika International Film Festival Award in one fell swoop.

The Match of Life and Death is based on historical events: In 1942, Kiev in the Ukrainian Republic of the Soviet Union fell into the hands of German troops, and the new Kiev football team was going to play a game with the German Nazi team under fascist rule … … The film and have the same effect, and both show the cruelty of war and fascist atrocities with the help of football themes.

"Zoya" is based on the patriotic heroine of the Soviet Union: in the autumn of 1941, Zoya, a female student, voluntarily participated in a sabotage activity, but was unfortunately captured, but never gave in. She was also the first woman to win the title of "Soviet hero", and was made into a movie of the same name as early as 1945.

It is worth mentioning that these Russian films were all released after 2000, and they were all set in the Great Patriotic War of the Soviet Union, but they showed different colors from the previous films of the same theme in Russia, a big country producing war films.

In the traditional hymn of heroism, The Fog on the Border uses the art of crossing to make the dude living in modern times cross the most critical moment of the country, and realize the hardships of his predecessors and the beauty of the present from his feelings for home and country and where will you go, so as to reflect on various current thoughts.

"The Last Frontline" added the elements of campus youth to the traditional war films (and took the spy war as an excessive rhythm). When the classical romantic love encountered the most cruel war in human history, it had already predicted the flower festival of cruel youth and the demise of romance. More than 2,500 of the 3,500 cadets stayed on the battlefield forever, and the soldiers who returned home were no longer teenagers. Only in the smoke and tears could they meet with the smile of "Dawari" again … …

In The Match of Life and Death, the director voluntarily gave up the grand narrative, focused on the experience of a little person (Soviet soccer goalkeeper Nikolai Treacy), and deeply touched on the essence of war and human nature through the ultimate choice of winning the tragic and fearless game or losing at the Nazi gun.

The Nazi mass grave scene in "Life and Death Match" is shocking.

The tanks in T34 are all real T-34 and Leopard tanks in World War II. All actors trained to open tanks for 3 months and completed all actions, and invited military advisers. "89 Highland" invested 400 million yuan and used 5,000 soldiers from two divisions, 300 tanks and 200 planes to take part in the filming, which can’t help but remind people of one of the films with the most extras in film history — — Written and directed in 1966.

"War and Peace" is a war scene like an oil painting.

It can be seen that after the new century, Russian films have returned to tradition in art, to the public in value, to classics in subject matter, and integrated into the trend of film genre combination on the basis of classic narration, and practiced their own national film language with the help of the development of modern film industry.

Red romance

Speaking of film language, Soviet films have made two great contributions to world films: montage and poetic films.

In 1923, movie master published an article "Attraction Montage" in the magazine "Left-wing Literary Front", which initiated the film montage theory and the Soviet montage school. His masterpiece tells the historical story of the uprising of the warship potemkin of Odessa Navy. The "odessa steps" in the film has also become the most classic montage fragment in film history, and confirmed his famous saying with 155 shots in 7 minutes, "The juxtaposition of two montage shots is not the sum of two numbers, but the product of two numbers". Therefore, the film stood at the top of the pyramid in the golden age of Soviet movies.

The famous stroller in odessa steps.

In 1957, the director of the Soviet Union was considered as "a movie satellite launched by the Russians", which broke through the rigid framework of Soviet World War II films, skillfully formed the double metaphor of "geese flying south" through subtle emotional depiction, and led the film to a poetic film road.

The long and rotating shots with poetic beauty perfectly overlap the artistic conception of the picture with the connotation of the story, and show the sufferings of Soviet youth in the anti-fascist war with the life of a woman who has never been to the battlefield.

In "Flying South in Wild Goose", before he died, the man looked at the rapidly rotating birch treetops, and he imagined that he was married to the woman, which became a classic lens in film history.

In addition to these two world-changing films, Lenin in 1918 in the 1920s, Zoya during the Great Patriotic War, and Silent Dawn Here in the 1960s and 1970s after the war are all world-famous films, not to mention War and Peace, which were adapted from domestic classics, which made Soviet films bear extremely rich literary nourishment.

After the founding of New China, the film mode of the Soviet Union began to be used for reference by filmmakers in China, and once became a model for China’s film creation. At that time, China established a complete supporting film management system from management, production and operation, and Beijing Film Studio, Shanghai Film Studio and Bayi Film Studio were successively established, which became the main position of film setting in the early days of New China together with Northeast Film Studio, and gradually stepped out of the road of new China film with national style and modern characteristics.

In mid-2020, the director also recreated Ivan’s running on the water in Ivan’s Childhood on the ice of Lake Baikal, and showed his parents’ youth, love and the era full of faith influenced by "Big Brother of the Soviet Union" with the song "Red Berry Blossoms" sung by the "embarrassed mother" at the Red Star Theatre.

In recent years, both China and Russia are adopting the cultural strategies of "going out" and "bringing in", constantly strengthening the support for domestic films, and winning many awards in major international film festivals, thus embarking on the road of great-country films with their own national cultural characteristics and characteristics of the times. At the same time, China and Russia have also carried out film exchanges and cooperation in many fields by holding film festivals with each other regularly, co-shooting films, introducing and broadcasting excellent film and television works from both sides, which has injected new vitality into deepening the comprehensive strategic cooperative partnership between China and Russia in the new era.

As Bai Yimin, deputy director of the State Film Bureau, said at the opening ceremony of "Russian Film Week", "this" Russian Film Week "will further promote pragmatic cooperation in the film field between China and Russia, promote the common prosperity and development of the film industry between China and Russia, and write a new chapter for enhancing the exchange and mutual learning of Chinese and Russian civilizations and the traditional friendship between the people."